This article discusses the expression of aesthetic categories in the art of maqom. Beauty, majesty, tragic fantasy are the reflections of aesthetic categories in the statuses of Buzruk, Navo, Segoh, and the ideas of Eastern and Western philosophers have been widely used in this regard. In addition, the psycho-emotional factors of music affecting the human spirit are explained. For example, the seven-sounding structures from Ushshak to Isfahan evoke a range of emotions in the process of forming music, from strength and courage to the joy of delicate enjoyment, while the other six evoke sadness and lack of will.
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