ISSN:
2181-3906
2023
International scientific journal
«MODERN SCIENCE АND RESEARCH»
VOLUME 2 / ISSUE 12 / UIF:8.2 / MODERNSCIENCE.UZ
615
CONTEMPORARY PERFORMANCE TRADITIONS
Berdak Azima Usenova
Head of the Department of Science,
Karakalpak State University named after
https://doi.org/10.5281/zenodo.10376945
Abstract.
The singer's natural ability, artistic thinking, the criterion of "newness",
"modernity", arrangement of folklore samples, examples of folklore performance are discussed.
Key word:
modern performance, tradition, style, artistry.
СОВРЕМЕННЫЕ ИСПОЛНИТЕЛЬСКИЕ ТРАДИЦИИ
Аннотация.
Обсуждаются природные способности певца, художественное
мышление, критерии «новизны», «современности», аранжировка фольклорных образцов,
примеры фольклорного исполнительства.
Ключевые слова:
современное исполнение, традиция, стиль, артистизм.
In order to connect pop music to heritage and modern performance traditions, it is
necessary to understand not only its content, but also the nature of creativity. It is necessary to
understand how commonality and performance principles between heritage and contemporary
national music are and what elements it has as a whole musical genre. The sense and imagination
of such general traditions, that is, the artistic system, the integrity of the artistic language, and the
symbols of national creativity, are important for sound engineers, soundmen, sound operators,
sound directors, clip makers, and producers, in addition to arrangers. Due to the lack of these
features, sometimes the fate of a talented singer, group members, especially in the hands of an
arranger who has not developed a sense of nationalism, is directed against nationalism through the
wrong way and ineffective creativity.
The singer's natural ability, artistic thinking is "renewed" in the framework of the creative
system based on the criteria of "newness", "modernity". The singer is not only an example of the
art of artists of different spirit, but also the elements of nationalism and modernity, as well as the
concept that prevents their integration. Every song and work created in pop music is not the product
of one person's creativity. As we noted in its creation, several professions are involved, and the
ideas of all participants are embodied before reaching the producer. That's why experts involved
in song creation should inculcate national traditions in the song being created or train their singers
based on examples of oral*professional and folklore performance. As a result of artificial
imitations in Uzbek folk songs, fakeness also appears in the works created using folklore names.
The reason for this is that the number of arrangers who do not understand the aesthetic function of
arranging folklore samples into the pop system is increasing.
Choirs arranged in a style foreign to national feeling (taken from the repertoires of pop
singers of Indian, Iranian, Turkish, European and American nations) are also the product of the
arrangers' creativity, and the authors of this artistic event are neither creative nor artistically dead.
interconnected. As a result of this, no one notices where the part of the song that belongs to the
people and the nation is in the songs that are brought to the listener's attention. In general, when it
comes to nationality, it is the mentality of the nation, its inner world. It was studied in relation to
ISSN:
2181-3906
2023
International scientific journal
«MODERN SCIENCE АND RESEARCH»
VOLUME 2 / ISSUE 12 / UIF:8.2 / MODERNSCIENCE.UZ
616
the art form that embodies the world of thought and the way of life. After all, the musical system
formed in the shell of national traditions and its existing styles
It is not possible to solve the problem by forcefully grafting foreign traditions to it instead
of absorbing it. In the case of piracy, there were many attempts to present themselves as Totlisas,
Huston, Tarkan, etc., as if it wasn't enough to fill the repertoire of one or another folk singer and
create a structure of "dry" melodies. This situation began to determine the creative criteria for
imitators who blindly strive for popularity, regardless of the artistic quality and spiritual level of a
foreign singer's song. In this case, it is not necessary to have artistic intuition and emotional idea,
but to copy fruitless imitation. In the end, if the integrity of tradition and modernity, which is an
important factor for pop singing, and the elements that ensure their commonality, is not ensured,
any national performance will not cease to deny itself.
The concept of modernity is not only the emergence of certain groups of dilctants who do
not reflect the signs of nationalism, but also has a negative impact on the spiritual and spiritual
world of young listeners who have not experienced the examples of national musical heritage. Of
course, freedom is a convenient opportunity for amateurs to learn what behavior and style of dress
from a foreign singer. His "personal style" is not reflected in the national art system, but also
shows the signs of seeing national art "in his own system".
The filling of amateurism with artistic and artificial technical process, in turn, caused
certain demands and negative conditions. The hoarseness of the amateur singer's voice and
shortness of breath, as mentioned, began to be corrected on the computer with the help of
technology. The traditional live performance was replaced by a phonogram. This "innovation"
increased the number of "dreamers" who resorted to "painting" in Uzbek pop music. Big concert
stages began to be given to amateurs as well as professional performers. Natural performance,
ethics specific to Uzbek music performance, and national performance traditions, which are the
source of artistic and aesthetic means, were set aside.
Modernity in pop singing, as it is recorded, is beyond the traditions of national
performance. those who imagine far from real life have become rich enough. Today, modernity
means noisy accompaniment, extrovagant performance, and a set of similar meaningless, petty
actions organized by actors who have seen the stage and relied on technology. Asi testified
modernity by interpreting history, the present and the future, song and performance based on
nationalism and ideology.
0 "rap" is a new musical pop trend for Uzbek listeners, with its "carbed", erotic dances,
floating words that are buried in the ocean, young people do not have time to think about its origin.
It should be said that there is a large number of blind evaluators who call "rap" a combination of
unusual sounds, unstructured methods and tones as "innovation". Critics do not accept rap as a
direction, nor as an artistic genre with any aesthetic impact.
The expressive features of "rap", i.e. "broken" methods, ambiguous tone system are
considered as "innovation" as the beginning of a new movement, moreover, the main feature of its
artistic aspects is self-explained by rappers. This issue remains abnormal even by the standards of
musicology and does not invite serious consideration. Ultimately, if the creators of this movement
and their performers are not properly guided, this musical direction, which has appeared in pop
music, besides being the cause of various confusions, can adapt the thinking of young people to
ISSN:
2181-3906
2023
International scientific journal
«MODERN SCIENCE АND RESEARCH»
VOLUME 2 / ISSUE 12 / UIF:8.2 / MODERNSCIENCE.UZ
617
strange intonations - to indolence. The use of "rap" is not only national, but also the instruments
used in pop, rock, etc. performance styles are awkward, or rather, vaguely expressed. This style
does not require volume, timbre and range from the performer.
As we have already mentioned, the tone system is far from the canons of musical tone, and
is formed in intonation "up to tune". It is not meaningfully connected with the singer's div
movements, leg and hand movements. There is no synchronicity between the movements of the
"dancer" performers and the "rapper" movement as a background. In their actions, integrity -
composition is not observed. The existing actions and performance of the "rapper" are not aimed
at one goal. Rappers, dancers, and dancers alike are bounded around their particular type of
movement. Due to the lack of pure intonation, the movement of sounds in the ranks of
accompanying instruments creates signs of nationality.
It is impossible to think about. The reason. as we noted, pure intonation in this direction of
performance is understood as a sign of "madness". An important factor for them is the "purity" of
the singer's intonation, which consists of a set of sounds close to purity. There are ambiguities both
in the implementation of the goal of artistic "enrichment" by directly copying the foreign "rap"
sound system, and in the application of personal interpretation - expression to the performance.
While performers who create in the direction of pop, partly rock, take part in various folk
ceremonies (weddings, holidays, etc.) outside the stage, rap remains only on the stage.
The idea of rapper embodied in it is from the psychology of modern foreign music. in
particular, in accordance with the thinking of the Uzbek listener. if it is not absorbed naturally, its
activity will not become popular. Its aesthetic and spiritual influence should not confuse the minds
of young people, who have not yet gotten to know and enjoy national music and its real
masterpieces, with artistically imperfect, abstract content. Eastern aesthetic task is also a product
of creativity for them. The period of unsuccessful "research" during the initial formation of the
"rap" movement has passed. together with them, they began to instill this principle of creativity in
the thinking artists of their level. in this regard, there are uncertainties in the opinions of some
well-known pop singers. In particular, "...why can't artists who perform to the status quo be able
to perform for three or four days, and the "rapper" who came out yesterday gave a three-day concert
Tickets are sold out". Show business should be accepted properly. Many have given up the idea
that young people who create in any rap style or direction should be blocked or this direction
should be abolished.
At the same time, their intention is only to sell tickets and collect people, putting the
"foreign" style, which is far from the artistic thinking of the people, against the national musical
requirements, and without mastering the art of singing. Those who say "singing" also changed.
Also, although the "song", "dance" in the direction of "rap" and some sounds in the sound of
accompanying instruments correspond to the specific characteristics of rap from an artistic point
of view, their function as a work is distant and meaningless from an aesthetic point of view. , is in
the shell of an erotic show, the idea is appropriate, and they can also lead to a philosophical point
of view. Now, it is a mystery in which musical genre a "rap" artist should be trained, the reason
being the imperfect sound background, dance-like div movements, and hand expression of the
content of the "song" - the reason for this is the distance from the overall artistic perfection. is
dying. So, the fact that there is an oriental standard in this direction also sheds light on the content
ISSN:
2181-3906
2023
International scientific journal
«MODERN SCIENCE АND RESEARCH»
VOLUME 2 / ISSUE 12 / UIF:8.2 / MODERNSCIENCE.UZ
618
of this flow. Tamomila, as a completely independent genre, is in the shell of existing pop trends,
although it is not dependent on them, the principles of "singing" must be mastered by "rappers".
Otherwise, its creation and implementation principles may remain abstract.
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