This abstract provides an overview of "A Society," an Aristophanic comedy written by Virginia Woolf. The abstract highlights the significance of Woolf's exploration of Aristophanic elements in her comedic work. It delves into the themes, characters, and narrative structure of the play, shedding light on Woolf's unique blend of wit, satire, and social commentary. The abstract emphasizes the importance of studying "A Society" in the context of Woolf's broader literary contributions and the traditions of Aristophanic comedy. This study aims to deepen our understanding of Woolf's comedic prowess and her innovative approach to writing in the comedic genre.
The issues of tradition and innovation in Uzbek comedy were subjected to analysis on the example of the works of Hamza Hakimzada Niyazi, Ilshat Yumagulov, Said Ahmad and Erkin Vahidov.
This article analyzes the attitude of Zahiriddin Muhammad Babur and Haydar Mirza to comedy, the humorous mood of the work. Bobur's artistic skills are studied in comparison with his literary views on comedy. The common and individual aspects of the literary style of Haydar Mirza and Babur are explored. The main sources for the analysis of the literary thinking of the writers are "Boburnoma" and "Tarihi Rashidi". These works are based on observations about the role of humor and satire in other fields. Bobur and Haydar's attitude to satire is comparable. This article uses biographical as well as comparative analysis of methods. Observations suggest that humor played an important role in determining Bobur's literary potential. In Haydar Mirzo's "Tarihi Rashidi" the attitude to humor and satire is limited. In the style of Haydar Mirzo, it was found that the author followed the principle of impartiality, which is characteristic of historians, and kept the tradition in the literary style.
Sharq qadimdan she’riyat tuygʻulari oʻlkasi boʻlgan. Shu boisdan Sharq badiiy adabiyotida, ayniqsa, lirika keng rivojlangan. Drama hayotni harakatda ifodalab, muallif nutqisiz aks ettiradi. Adabiyotda qorishiq turlar ham mavjud. Mas, lirika va epos xususiyatlari birlashib liro-epik turni tashkil etadi. Liro-epik turga poema, ballada, doston, masal kabilar kiradi. Epos, odatda, 3 ga boʻlinadi kichik epik shakl (latifa, ocherk, ertak, hikoya), oʻrta epik shakl (qissa) va katta epik shakl (roman). Lirika mazmun va shaklga koʻra, gʻazal, muhammas, marsiya, ruboiy, qasida, sonet, qoʻshiq va boshqalarga boʻlinadi. Dramatik adabiyotning ham mazmunan 3 xili bor drama, komediya va tragediya (fojia). Adabiyot sanʼatning boshqa turlari kabi mafkuraviy hodisadir. Adabiyotda voqelikni aks ettirish tamoyiliga koʻra, adibning ijodiy usuli paydo boʻladi. Voqelikdagi tipik hodisalar umumlashtirilgan holda haqqoniy aks ettirilsa, realistik adabiyot deyiladi. Yozuvchi ayni voqelikni emas, balki u haqidagi oʻz orzu umidlarini ham ifoda etsa, romantik adabiyot boʻladi25.
Khudoyberdi Tukhtaboyev, a famous representative of Uzbek children’s literature, is one of the writers who perfectly illuminate children’s mental world in their works. Khudoyberdi Tukhtaboyev started a new era in Uzbek children’s literature, as well as it’s prose. Actions, words, and character of the characters he created were loved by young readers. The writer was able to transfer the cheerfulness and innocence of a child in his works. This humor was close to children’s hearts, and he gained more and more young fans through this closeness.
The unique characters created by the writer are living in the hearts of many readers. In particular, his characters such as Hoshimjon, Mirobiddinkhoja, Orifjon, Akrom Kavunchi are already well known, especially to young readers. The reason for that is that the characters of them are very bright and memorable, cheerful, innocent and simple like a child, prone to laughter and humor. The purpose of the article is not only to list the biography and works of Khudoyberdi Tukhtabayev, but also to analyze the characteristics of his novels.
In this article, the works of Khudoyberdi Tokhtaboev, a major figure of Uzbek children’s literature, are analyzed. In them, the expression of the adolescent psyche, as well as the child’s psyche, are discussed in detail. raised In fact, it is natural that any literary work will reflect the writer’s biography to some extent. After all, when a writer writes a work, the events he encountered during his life and the feelings he experienced are imprinted in that work. When we analyze the works of the writer Khudoyberdi Tokhtaboev, we see that they reflect the life path, character (nature) of the writer.
Also, in the article, the main problem in today’s Uzbek children’s literature - that the child’s psyche is primary in the education of the child -was highlighted on the example of artistic works. It is noted that the artistic work written for children is a reflection of the child’s psyche.
The article examines the nature of the reflection in the American satirical novel of the negative consequences of thoughtless scientific and technological progress in modern society. The process of dehumanization, the loss of genuine human qualities, the transformation of man into a machine is shown as it is seen by American satirical writers. In terms of comparative analysis, the novels of John Hersey, Henry Myers and Richard Wormser are used. Specific techniques and means of creating satirical images are shown.
Maqolada ijtimoiy muhit va shaxs talqini Sharof Boshbekovning “Temir xotin” komediyasi misolida tahlilga tortilgan.