FAME AND THE MEDIA

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Nurmatov, I. . (2023). FAME AND THE MEDIA. Modern Science and Research, 2(12), 793–796. Retrieved from https://inlibrary.uz/index.php/science-research/article/view/27198
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Abstract

FAME AND THE MEDIA

Similar Articles


background image

ISSN:

2181-3906

2023

International scientific journal

«MODERN SCIENCE АND RESEARCH»

VOLUME 2 / ISSUE 12 / UIF:8.2 / MODERNSCIENCE.UZ

793

FAME AND THE MEDIA

Nurmatov Islambek Kyzilbekovich

Teacher of the department of general education of

Jizzakh region legal technical school

Abstract.

The general hypothesis of the work is that fame generated by media plays a

part in creating opinion by legitimising anthropomorphic icons which, as models, assist in
structuring the present day's social hierarchies. Based on a field study about television news and

on a case study of Operación Triunfo, the articles concludes that media fame, which plays a

decisive role in the formation of public opinion, express the nature of the media. as creators of a

virtual reality and synthesisers of actual reality.

Key words:

Fame, reality, media, public opinion, news, Operación Triunfo

ИЗВЕСТНОСТЬ И СРЕДСТВА МАССОВОЙ ИНФОРМАЦИИ

Аннотация.

Общая гипотеза работы заключается в том, что известность,

генерируемая средствами массовой информации, играет определенную роль в
формировании общественного мнения путем легитимации антропоморфных икон,

которые, как модели, помогают структурировать современные социальные иерархии.

Основываясь на полевых исследованиях телевизионных новостей и тематическом

исследовании Operación Triunfo, в статьях делается вывод о том, что известность в

СМИ, которая играет решающую роль в формировании общественного мнения,
отражает природу СМИ. как создателей виртуальной реальности и синтезаторов

реальной реальности.

Ключевые слова:

фрейм, реальность, СМИ, общественное мнение, новости,

тройственная операция.

INTRODUCTION

Internet fame is not a new concept. We are now seeing our third or second generation of

young people finding ‘fame’ online. Fame online looks different now than it did over a decade

ago, nowadays, it’s serious business! The goal might still be to have increased followers, but the

number of followers and engagement can now directly correlate with how much money you can

make.

Anyone and everyone can choose to make their account a ‘business’ one. Young people

are collaborating with brands, creating content and promoting products, and it can be quite a lot

to handle when you’re at such a young age.

Social media fame can bring many positive qualities but it can also potentially lead to

young people involving themselves in harmful behaviour in order to keep up with expectations

and ‘likes’. In this aspect, it can show the negative culture around fame online and what people

will do to make money even when a bad spotlight is placed on them.

There’s people that go viral for good or bad reasons. We might see someone suddenly

promoting a product who then goes on to have a line of merchandise with their face or

catchphrase on, trying to make the most of their short lived fame. There are those with a talent

who have built a name or business on the grounds of something more solid. These people don’t


background image

ISSN:

2181-3906

2023

International scientific journal

«MODERN SCIENCE АND RESEARCH»

VOLUME 2 / ISSUE 12 / UIF:8.2 / MODERNSCIENCE.UZ

794

just do ad’s, they are brand ambassadors, have tight contracts and have to deliver enough content

to keep up with their quotas. Another category of the ‘Insta famous’ are the activists,

campaigning for human rights and many other political issues. All of these carry a weight and

pressure which for younger people could have a seriously negative impact on their health and

wellbeing.

A conundrum that has been going on for decades, is how teens and 20 somethings are

expected to say just the right thing in response to a complex issue they are probably only just

learning about. If young people don’t say the right thing, they may expect abuse, a loss of

followers and therefore a loss of earnings. If they say nothing, then it is common to be branded

with shame. Having this exposure can lead to other causes for concern such as anxiety and self-

hatred.

How can we support young people that have ambitions to be ‘Insta famous’, or have

found themselves in a position where they suddenly have a large following?

Understand why and help channel creativity. Being famous for being famous is probably

not the best motivation. If a young person wants to grow their following and be a ‘name’, try to

help them find their niche, whether that’s gaming, music, art, animals or anything they take an

interest in. They are likely to have a bit more success and feel fulfilled if their content is about

something they are good at or interested in.

Be aware of the potential increased pressure or responsibility. Having a heightened

awareness of the young person’s welfare and how their online life might impact it will mean you

can notice and respond faster if they need help. Help might just be encouraging them to have

some time off, take a break or supporting them to find another project that is not scrutinised so

publicly.

Set some ground rules and doing the homework. Rules can be flexible and can change in

the face of different issues. Homework is research and the more that is done, the better footing

they will have.

Having a separate private account to share more personal updates with close friends and

family

Putting time into researching political issues before speaking publicly on them. Setting a

boundary that you don’t have to respond immediately

Similarly, researching and looking into brands and people that want to use their following

to promote products. For example, a person who uses their platform to educate about global

warming would get quite a bit of flack if they promoted an unsustainable product.

Agree principals. If for example the young person has a keen interest in the environment,

knowing what principals that entails will help when choosing brands you want to work with.

Lastly, if young people are looking to generate an income and use their social media

platform to promote, it’s important they are familiar with advertising standards and play within

the rules. Here is some more info on this from the Advertising standards agency;

https://www.asa.org.uk/news/making-your-marketing-an-insta-nt-compliant-success.html

Fame may seem easier to obtain than it was 10 or 20 years ago, with the help of social

media, but the lure and excitement of it seems to not have diminished at all. There are certainly

new factors and risks to consider but we can’t discourage young people from their aspirations


background image

ISSN:

2181-3906

2023

International scientific journal

«MODERN SCIENCE АND RESEARCH»

VOLUME 2 / ISSUE 12 / UIF:8.2 / MODERNSCIENCE.UZ

795

and ambitions, we just need to learn how to help them in a safe and productive way. There are

now many examples of people doing it well and role models to look up to, and there are also

stories of where it has gone wrong. We are looking at another generation making waves, and

hopefully they will be better placed with all this resource around them.

The Internet revolutionizing throughout the decades and giving one an opportunity to

participate in a virtual culture has produced a dramatic change in what an ordinary person can

attain: Today, social media such as Instagram, Youtube, and Twitter gives people an opportunity

to achieve mainstream success. But, has this alteration in modern society helped diminish the

exclusiveness in the fame world? The answer is yes and no. Social media has allowed one to

showcase their talent and ambition. Justin Bieber’s popularity is an example of becoming well-

known through an online presence.However, this powerful motive to gain adoration online has

been abused. Individuals now can prosper on platforms by posting lip-syncing videos of various

songs they enjoy.

Teenagers on the app TikTok are prone to receiving millions of views over a simple

video that required no effort. In the era of technology, many that partake in social media only

value the entertainment quality and promote people who do not express hard work and

dedication.

Social media is a crucial aspect of our lives. It has now been created for people to receive

fame for those who inspire in becoming mainstream. Celebrity status has been redefined for

generations; however, this new wave of “internet personalities” shows how accessible stardom is

in the mode.

CONCLUSION

Human beings are social creatures. We need the companionship of others to thrive in life,

and the strength of our connections has a huge impact on our mental health and happiness. Being

socially connected to others can ease stress, anxiety, and depression, boost self-worth, provide

comfort and joy, prevent loneliness, and even add years to your life. On the flip side, lacking

strong social connections can pose a serious risk to your mental and emotional health.

In today’s world, many of us rely on social media platforms such as Facebook, Twitter,

Snapchat, YouTube, and Instagram to find and connect with each other. While each has its

benefits, it’s important to remember that social media can never be a replacement for real-world

human connection. It requires in-person contact with others to trigger the hormones that alleviate

stress and make you feel happier, healthier, and more positive. Ironically for a technology that’s

designed to bring people closer together, spending too much time engaging with social media

can actually make you feel more lonely and isolated—and exacerbate mental health problems

such as anxiety and depression.

If you’re spending an excessive amount of time on social media and feelings of sadness,

dissatisfaction, frustration, or loneliness are impacting your life, it may be time to re-examine

your online habits and find a healthier balance.

REFERENCES

1.BOURDIEU, P. “Le marché des bien simboliques”. L’anée sociologique, p. 49, 1971.

2.BRETON, P. L’utopie de la communication. Paris: La Découverte, 1997.


background image

ISSN:

2181-3906

2023

International scientific journal

«MODERN SCIENCE АND RESEARCH»

VOLUME 2 / ISSUE 12 / UIF:8.2 / MODERNSCIENCE.UZ

796

3.CASTELLS, M. La era de la información. 1- La sociedad red. 2-

El poder de la identidad. 3- Fin de milenio. Madrid: Alianza

Editorial, 1996, 1997, 1998.

4.DURKHEIM, É. Formas elementales de la vida religiosa. Madrid: Akal, 1982.

5.DÉBORD, G. Comentarios a la sociedad del espectáculo. Barcelona: Anagrama, 1990.

6.ECHEVERRÍA, J. Telépolis. Barcelona: Destino, 1994. EPSTEIN, E. J. La gran ilusión.

Dinero y poder en Hollywood. Barcelona: Tusquets, 2007.

7.FIELD, S. Screenplay. New York: Dell Publishing co, 1984.

8.GAMSON, J. Claims of fame: celebrity in contemporary America. University of California

Press, 1994.

9.GINER, S. Carisma y razón. Madrid: Alianza Editorial, 2003.

10.GOFFMAN, E. La presentación de la persona en la vida cotidiana. Buenos Aires:

Amorrortu Editores, 1981.

11.JANSEN, K. B. A Handbook of Media and Communication Research. London: Routledge,

2002.

12.LIPPMANN, W. Public Opinion. New York: The free press, 1965. La opinión pública.

Madrid: Langre, 2003.

13.MATTELART, A. Historia de la sociedad de la información. Barcelona: Paidós, 2002.

14.MEYER, T. Media Democracy. Cambridge: Polity, 2002.

15.MCLUHAN, H. M. El aula sin muros. Buenos Aires: Ediciones

Cultura Popular, 1968.

16.MILLS, C. W. La élite del poder. Mèxic: Fondo de Cultura Económica, 1993. The power

elite. New York: Oxford University Press, 1956.

17.QUÉAU, P. Le virtuel. París: Éditions Champ Vallon/INA, 1993.

18.RAMONET, I. (ed.) La post-televisión. Barcelona: Icaria, 2002.

19.SENNET, R. La cultura del nuevo capitalismo. Barcelona: Anagrama, 2007.

20.THOMPSON, J. B. Los medios y la modernidad. Una teoría de los medios de comunicación.

Barcelona: Paidós, 1998.

References

BOURDIEU, P. “Le marché des bien simboliques”. L’anée sociologique, p. 49, 1971.

BRETON, P. L’utopie de la communication. Paris: La Découverte, 1997.

CASTELLS, M. La era de la información. 1- La sociedad red. 2-

El poder de la identidad. 3- Fin de milenio. Madrid: Alianza

Editorial, 1996, 1997, 1998.

DURKHEIM, É. Formas elementales de la vida religiosa. Madrid: Akal, 1982.

DÉBORD, G. Comentarios a la sociedad del espectáculo. Barcelona: Anagrama, 1990.

ECHEVERRÍA, J. Telépolis. Barcelona: Destino, 1994. EPSTEIN, E. J. La gran ilusión. Dinero y poder en Hollywood. Barcelona: Tusquets, 2007.

FIELD, S. Screenplay. New York: Dell Publishing co, 1984.

GAMSON, J. Claims of fame: celebrity in contemporary America. University of California Press, 1994.

GINER, S. Carisma y razón. Madrid: Alianza Editorial, 2003.

GOFFMAN, E. La presentación de la persona en la vida cotidiana. Buenos Aires: Amorrortu Editores, 1981.

JANSEN, K. B. A Handbook of Media and Communication Research. London: Routledge, 2002.

LIPPMANN, W. Public Opinion. New York: The free press, 1965. La opinión pública. Madrid: Langre, 2003.

MATTELART, A. Historia de la sociedad de la información. Barcelona: Paidós, 2002.

MEYER, T. Media Democracy. Cambridge: Polity, 2002.

MCLUHAN, H. M. El aula sin muros. Buenos Aires: Ediciones

Cultura Popular, 1968.

MILLS, C. W. La élite del poder. Mèxic: Fondo de Cultura Económica, 1993. The power elite. New York: Oxford University Press, 1956.

QUÉAU, P. Le virtuel. París: Éditions Champ Vallon/INA, 1993.

RAMONET, I. (ed.) La post-televisión. Barcelona: Icaria, 2002.

SENNET, R. La cultura del nuevo capitalismo. Barcelona: Anagrama, 2007.

THOMPSON, J. B. Los medios y la modernidad. Una teoría de los medios de comunicación. Barcelona: Paidós, 1998.

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