In the literature, in the process of a new creative approach to the mythological image, the plot, of course, lies the religious worldview and the oral tradition of the people. In the literary process, the creative approach to myths has been unique in each period. In modern Arabic prose (the second half and the end of the twentieth century), especially in storytelling, new artistic researches have emerged in mythological images and plots, legends from religious sacred sources, and creative approaches to stories about the lives of prophets. In Egyptian literature, this trend is also called " رايت ةيروطسلأا " "mythological current". In the stories of this story, fantastic, mysterious, strange elements are included in the text of the work and blend with the real reality. In modern Arabic literature, Najib Mahfouz, Yusuf Idris, Diya al Sharqavi, George Salim, Munir Uteiba, Zakaria Tamer, Abdurahman Majid ar-Rubeyi, Muhammad Shalan, Ibrahim Aslan, and a number of other writers have written mythological and religious references to books. As a result, they created their own works with a unique style. In this article, the Egyptian writer Munir Uteiba's story "Warning" is characterized by its intertextuality, which uses the ancient myths of the Indian people to reveal the modern image of man, its moral and spiritual flaws and flaws. Keywords and phrases: creative process, myth, mythology, folklore, myth, mythology, mythological current, intertextuality, mythological image.
The article discusses the development of the mythological genre and the process of images. In painting, a mythological genre tends to depict the works of creators, not the events that actually happened, but the legends, characteristic features, and real stories based on the mythological system of a specific nation, with wonderful, mythological details.
The article discusses mythological images and motifs in the works of Sergey Esenin. The authors of the article consider that mythological motifs have played an important role in the genesis of literary subjects; mythological themes, images, characters are used and reinterpreted in literature almost throughout its history. Yesenin's mythological picture of the world became part of his poetic philosophy, reflecting the connection between man and the world, as well as the inseparable unity of all living and non-living things on earth.
This article covers theories of Uzbek and English mythology and demonology, as well as "Comparative study of demonological and mythological characters in Uzbek and English."
This article shows that the artistic structure of the work in modern Uzbek novels is built on the basis of an ancient myth (for example, the ancient myth about the "tree of life" in the novel "Chinar" by Asqad Mukhtar), the mythological plot serves as a criterion for describing the mental state of the hero (for example, in the novel "Mahmud Torabi" by Asad Dilmurod The myth of Ulgan and Erlik), the construction of the interpretation of time and space on the basis of a mythopoetic model (for example, the novels of Amon Mukhtar), the absorption of the essence of the mythological image into the character of the hero (for example, the novel "Shokh" by Shoyim Botaev) is about the meeting of different types of mythology. Images related to mythopoetic thinking in modern Uzbek novels include the introduction of the ethnopoetic context related to archaic ceremonies, paintings and rituals that express the ancient mythological beliefs of our ancestors, stylization of myth plots and motives, images related to totemistic, animistic and magical beliefs and It consists in researching such forms as the poetic transformation of symbols and ethnic mythology, that is, the use of myth plots and mythologemes related to the poetic thinking of other peoples and peoples.
The article analyzes the fact that in the stories of Nodir Normatov, a writer with a unique style of prose, the use of poetic interpretations of ancient images belonging to the most ancient layers of Uzbek mythology to symbolic metaphors, myths and legends served to illuminate the spiritual world.
The current examination expects to analyze the concern that pedant occurrence in commanding of illuminate investigation compute, to uncover the motivation of the concern and to create arrangement proposals. Contextual investigation plan of subjective examination techniques was utilized in this exploration and it incorporates 41 volunteer pedant. Organized meeting structure was utilized in information assortment and the information were examined with content examination. It was discovered that the majority of the concern pedant occurrence in commanding of educating investigation compute were identified with understudies. They likewise had concern with study hall/course the board. In commanding of illuminate investigation cycles of the pedant, concern were identified with understudies, actual foundation, instructive framework and society/climate. It very well may be stated that a large portion of the concern can be settled if their motivation are resolved and taken care of. Likewise it is proposed that approaching pedant who are new to scholastic life need to follow the guidelines that incorporates understudy discipline guidelines and the understudies should be educated about the negative practices and their results toward the start of the term.
Although the realities of life of our ancestors were the primary basis for the emergence of riddles in the historical-folklore process, mythological views, ancient rituals, word magic and beliefs related to the taboo tradition played an important role in its formation. The article describes the mythological concepts that form the basis of the formation of Uzbek folk riddles on the example of an analysis of an Uzbek riddle.
This article analyzes astral myths and mythological representations of our ancient ancestors, who lived in Central Asia, and reveals their specific features, genetic origins and symbolic interpretation in the monuments of material culture.
Man, being primarily a spiritual being, has always tried to comprehend the natural and social processes taking place around him. Observation of them, direct participation in these processes of the person himself, evaluation from the point of view of certain moral, aesthetic and other social values lead to the emergence of a holistic image of the world. Mythology mainly reflected the ideological foundations of the existence of ancient man, which gave rise to the main question of the worldview, the question of the relationship between "it" and "we". It can be concretized in understanding the relationship between man and the cosmos, man and nature, man and society. Of course, we are not talking about the theoretical research of the ancients. But already within the framework of mythological consciousness, on the basis of the corresponding way of thinking, the idea of supernatural existence arises.
The article comprehensively covers the life and work of the Afghan classical poet Abdurrahman Momand (Rahman Baba). Along with presenting the opinions of literary scholars on the essence of his poetry and the place of his works in the history of Afghan literature, it highlights the content and artistic features of his poetry using specific examples. The article also highlights the question of his attitude to Sufism, the poet's views on the reality of his time, and reveals the essence of humanism and national character expressed in his poetry. The scientific significance of this article is determined by the fact that for the first time in the Oriental studies of Uzbekistan, the life and literary works of the poet are presented in the broadest possible way, and conclusions about the essence of his poetry are made on the basis of a direct analysis of his poems. Keywords and phrases: creative process, myth, mythology, folklore, myth, mythology, mythological current, intertextuality, mythological image.
Fiction as a type of arts possesses with its distinguishing features. The palette of the descriptive-expressive resources include the depiction processes of the nature. The author, referring to the nature, deals with the various forms of its presence in the literary work through the mythological presentation of its power and influence on the human-being, its poetic embodiment, description of animals, which have the human-beings related features, plants, as well as the landscape descriptions in the process of depicting of the local neighborhoods. At its early stages, the folklore of the Korean people possessed with the mythological power of nature, including poor landscape descriptions, which were personalized and actively lived in the lives of human-beings. The description of nature become more acceptable, losing that “beaty”, which was seen as main composition principle of description of the nature such as hyperbolizm. So, it is clearly seen a tendency to the individualization of the tractate about the nature, which influences on the heroes in their trials to comprehend properly the surrounding world, and define their own places in the natural circle. The Korean literature transfers the nature through the traditional images, such as the mountain, the pine tree, moon, and through the depiction of the seasons of the year and the time of the days. The pine tree and mountain are seen as the natural phenomenon, which feel the loneliness. These phenomenon are the subjects of the environment, which create the whole unity with the surrounding world of the human-beings. Such unclearness of the lines between the human-being and nature are the harmonious unity of a human-being and a world. Usually the depiction of the mountain, water, moon and etc. where the action takes its place. Due to the Dao’s visions it prevails the benevolent peacefulness, averting from nature from the routine life, in order to get the harmony with the nature. In the whole it is to acknowledge that the Korean prose of XVII – XVIII centuries, the authors come to the depiction of nature, without the deep details of descriptions. Factually, the nature did not play that role, which was related with the revealing process of the emotional world of story-telling. Here, it is being transferred as the “calling” phrases, it generally demonstrates the emotional background of the literary work. So, the gist based features of the Korean prose of XVII – XVIII centuries very clearly proves about the cosmologic idea of relation to the nature, including a special vision of nature and laws.
Mythology refers to a collection of traditional stories, beliefs, and narratives that are typically rooted in a specific culture, religion, or society. These stories often involve gods, supernatural beings, heroes, and legendary events and are used to explain the origins of the world, natural phenomena, human behavior, and societal customs. Mythologies can vary significantly from one culture or civilization to another and are an integral part of the cultural heritage and identity of a group of people.
The article is devoted to the research of archeological findings of art of khorezm people in ancient and middle-aged period of time the image of birds in the examples of art items. That time in the mythological ideas of khorezm folk art the image of birds was mighty and superficial symbol.
This article highlights the intersection of realism and postmodernism of the 20th century and the hypertextuality of Tatiana Tolstoy's prose. The purpose of the article is to study the poetics of mythological prose, methods and forms of mythologization in modern Russian prose. The scientific novelty lies in the fact that this article seeks to consistently explore not only the myth, but also the mechanisms of mythologization and demythologization in Tolstoy's prose, as well as to identify the axiological and ontological features of mythology in the writer's texts. The theoretical significance of the article consists in the further development of theoretical knowledge about the categories of mythopoetics, the deepening of ideas about the mythologism of literature and the genre features of the mythological novel. The practical significance of the article lies in the fact that its materials can be used in lecture courses and seminars on the history of modern literature, the theory of myth, as well as in the works on T. N. Tolstoy.
The article discusses the problems of comparative study of formal phraseology in Russian and Uzbek languages.
This article discusses the search for dialectical, historical, cultural differences and similarities between works created on the theme of Faust in world literature, literary analysis. The article examines rare works created by representatives of English, French, Russian and German literature on the topic of Faustianism.
The article deals with Turkic mythology refers to myths and legends told by the Turkic people. It features Tengrist and Shamanist strata of belief along with many other social and cultural constructs related to the nomadic and warrior way of life of Turkic and Mongol peoples in ancient times.[1][2][3] Turkic mythology shares numerous points in common with Mongol mythology.[1][2][3] Turkic mythology has also been influenced by other local Asiatic and Eurasian mythologies. For example, in Tatar mythology elements of Finnic and Indo-European mythologies co-exist. Beings from Tatar mythology include Äbädä, Alara, Şüräle, Şekä, Pitsen, Tulpar, and Zilant.
The article is devoted to the problems of the development of fundamental and applied popular concepts of myth in Russia. The works of outstanding scientists in various forms of Russian national culture are investigated, the achievements of classical science, which have turned into basic axioms to date and allowed to study the mythology of a literary work, are examined. Based on the writings of scientists, the author tried to outline the modern concept of myth and its functional properties.
The article deals with the traditions of folklore in the works of Alisher Navoi, the role of mythology and folk art in the epic “Sabai Sayyar”, the plot of the epic in folklore, the connection of the main motives with folklore; folklore traditions in the interpretation of the composition and image system of the epic “Sabai Sayyar”; the sources of the plot of the epic “Sabai Sayyar” in the folklore of the peoples of the East and the artistic evolution of the epic plot are analyzed. The plot of the epic “Sabai Sayyar” is clarified in connection with the traditions of Uzbek folk epics.
Фан тараққиёти замонавий мифологизация, уни тадқиқ қилишнинг янги усуллари, шаклларини кашф қилиш заруратини намоён қилмоқда. Шу сабабли бизнинг фикримизча замонавий мифология ва унинг аҳамияти тўғрисида мулоҳаза юритиш аҳамияти жиҳатдан ўринли. Мазкур тушунчани ижтимиоий жараёнлар маҳсули сифатида тадбиқ қилган ҳолда фикр юритар эканмиз, ўз навбатида у қатор ижтимоий ва психологик омилларга, жумладан, шахсининг ўзига хослигига ҳам боғлиқ. Мазкур жараён айниқса, иккиламчи мифологизация, яъни бадиий асарларни экранлаштиришда яққол кўзга ташланади. Мифологизация жараёни тафаккур тарзи билан бевосита боғланган бўлади.