This article shows that the artistic structure of the work in modern Uzbek novels is built on the basis of an ancient myth (for example, the ancient myth about the "tree of life" in the novel "Chinar" by Asqad Mukhtar), the mythological plot serves as a criterion for describing the mental state of the hero (for example, in the novel "Mahmud Torabi" by Asad Dilmurod The myth of Ulgan and Erlik), the construction of the interpretation of time and space on the basis of a mythopoetic model (for example, the novels of Amon Mukhtar), the absorption of the essence of the mythological image into the character of the hero (for example, the novel "Shokh" by Shoyim Botaev) is about the meeting of different types of mythology. Images related to mythopoetic thinking in modern Uzbek novels include the introduction of the ethnopoetic context related to archaic ceremonies, paintings and rituals that express the ancient mythological beliefs of our ancestors, stylization of myth plots and motives, images related to totemistic, animistic and magical beliefs and It consists in researching such forms as the poetic transformation of symbols and ethnic mythology, that is, the use of myth plots and mythologemes related to the poetic thinking of other peoples and peoples.
The article discusses the revival of interest in myth in literature and the use of the poetics of myth, contributing to the enrichment of works of art in the work of the Uzbek myth.
The article analyzes the fact that in the stories of Nodir Normatov, a writer with a unique style of prose, the use of poetic interpretations of ancient images belonging to the most ancient layers of Uzbek mythology to symbolic metaphors, myths and legends served to illuminate the spiritual world.
In the literature, in the process of a new creative approach to the mythological image, the plot, of course, lies the religious worldview and the oral tradition of the people. In the literary process, the creative approach to myths has been unique in each period. In modern Arabic prose (the second half and the end of the twentieth century), especially in storytelling, new artistic researches have emerged in mythological images and plots, legends from religious sacred sources, and creative approaches to stories about the lives of prophets. In Egyptian literature, this trend is also called " رايت ةيروطسلأا " "mythological current". In the stories of this story, fantastic, mysterious, strange elements are included in the text of the work and blend with the real reality. In modern Arabic literature, Najib Mahfouz, Yusuf Idris, Diya al Sharqavi, George Salim, Munir Uteiba, Zakaria Tamer, Abdurahman Majid ar-Rubeyi, Muhammad Shalan, Ibrahim Aslan, and a number of other writers have written mythological and religious references to books. As a result, they created their own works with a unique style. In this article, the Egyptian writer Munir Uteiba's story "Warning" is characterized by its intertextuality, which uses the ancient myths of the Indian people to reveal the modern image of man, its moral and spiritual flaws and flaws. Keywords and phrases: creative process, myth, mythology, folklore, myth, mythology, mythological current, intertextuality, mythological image.
The article is devoted to the problems of the development of fundamental and applied popular concepts of myth in Russia. The works of outstanding scientists in various forms of Russian national culture are investigated, the achievements of classical science, which have turned into basic axioms to date and allowed to study the mythology of a literary work, are examined. Based on the writings of scientists, the author tried to outline the modern concept of myth and its functional properties.
This article is devoted to the emergence and development of the mythology of the Turkic peoples of Central Asia. Initially, the article gives a brief general description of the myth in science, in particular in the literature, the stages of its development are consistently revealed, based on examples from reliable sources. Myth as a means of expressing the primitive person’s emotional attitude to reality in ancient times played an important role in the life of a person as a whole, including developing in stages, and today has its place of honor in literature, influencing the emergence of new genres and merging with them in the text of the works.
This article examines the genesis and artistic evolution of epic plots in medieval written sources in the study of Uzbek folk toponymic prose.
The article comprehensively covers the life and work of the Afghan classical poet Abdurrahman Momand (Rahman Baba). Along with presenting the opinions of literary scholars on the essence of his poetry and the place of his works in the history of Afghan literature, it highlights the content and artistic features of his poetry using specific examples. The article also highlights the question of his attitude to Sufism, the poet's views on the reality of his time, and reveals the essence of humanism and national character expressed in his poetry. The scientific significance of this article is determined by the fact that for the first time in the Oriental studies of Uzbekistan, the life and literary works of the poet are presented in the broadest possible way, and conclusions about the essence of his poetry are made on the basis of a direct analysis of his poems. Keywords and phrases: creative process, myth, mythology, folklore, myth, mythology, mythological current, intertextuality, mythological image.
This article highlights the intersection of realism and postmodernism of the 20th century and the hypertextuality of Tatiana Tolstoy's prose. The purpose of the article is to study the poetics of mythological prose, methods and forms of mythologization in modern Russian prose. The scientific novelty lies in the fact that this article seeks to consistently explore not only the myth, but also the mechanisms of mythologization and demythologization in Tolstoy's prose, as well as to identify the axiological and ontological features of mythology in the writer's texts. The theoretical significance of the article consists in the further development of theoretical knowledge about the categories of mythopoetics, the deepening of ideas about the mythologism of literature and the genre features of the mythological novel. The practical significance of the article lies in the fact that its materials can be used in lecture courses and seminars on the history of modern literature, the theory of myth, as well as in the works on T. N. Tolstoy.
The article is devoted to the problems of the development of fundamental and applied popular concepts of myth in Russia. The works of outstanding scientists in various forms of Russian national culture are investigated, the achievements of classical science, which have turned into basic axioms to date and allowed to study the mythology of a literary work, are examined. Based on the writings of scientists, the author tried to outline the modern concept of myth and its functional properties
This article discusses the issues of childlessness of fathers in the traditional life of the Karakalpaks from an early period, which are reflected in folk epics. The epic direction and various motivations are revealed.
This article traces the development of the twentieth-century short story genre based on a comparative historical and comparative typological analysis of the short story genre of Egypt, Syria, Iraq, Palestine, Jordan, and Lebanon, and reveals the processes of interaction and adaptation of modern trends and directions based on the analysis of short stories by Arab writers of the twentieth century. The author highlights the methods of using the artistic traditions inherent in medieval Arabic prose in combination with modern means of expression and image, creative interpretation of myths of the peoples of the East and Greece. The article presents new interpretations of themes and images of short stories from ancient religious sources for artistic and aesthetic representation of modern reality, as well as it analyzes the features of the themes and poetics of modern Arabic short stories such as “ short story” “ ةريصق ةصق” (kissatun kasiratun), “long short story” “ ةليوط ةصق ” (kissatun tavilatun), “very short story” “ ادج ةريصق ةصق” (kissatun kasiratun jiddan).
В данной статье анализируется, произведение Т. Толстой, «На золотом крыльце сидели» определяются особенности использования автором в рассказе различных фольклорных и мифологических образов, как основу для создания персонажей.
The article describes the unique interpretations of the mythical bird image in the oral poetic works of the peoples of the East.
The subject of this article is the identification of the romantic originality of W. Irving’s short stories from the book «The Alhambra» In connection with this, the following characteristic features of the aesthetics of romanticism are clarified: the problem of the romantic hero, his opposition to society, the break of the ideal with reality, the role of folklore, the reception of contrast, etc. In the context of revealing the peculiarity of romanticism W. Irving, the creative evolution of the writer and the artistic structure of his short stories, reminiscent of a fairy tale. The problems and the subject-composition structure of Irving’s
works, based on the motive of adventure, are considered in detail; the uniqueness of the artistic chronotope
with elements of magic, the combination of myth and reality in the depiction of heroes; the plot-forming role
of the reception of contrast, the specificity of cultural, historical and spiritual realities borrowed by the writer
from Arabic and Spanish legends and fairy tales; the importance of fiction and irony as a means of understanding the contemporary writer of reality. All this gives grounds to draw a conclusion about the
romantic context of the works of the writer – the founder of American romanticism
Finding toponymic narratives and legends. To study them based on the specifics of the genre. Also, to go to historical places, to collect unstudied legends, stories and stories and bring them to our people. Water basins, mountains, gorges, some settlements, uninhabited places, cities and villages, hamlets, closely study toponymy, ethnography and the ancient past of local indigenous people and preserved up to now. I find it very important to learn more about their habits.
This article covers theories of Uzbek and English mythology and demonology, as well as "Comparative study of demonological and mythological characters in Uzbek and English."
This article analyzes astral myths and mythological representations of our ancient ancestors, who lived in Central Asia, and reveals their specific features, genetic origins and symbolic interpretation in the monuments of material culture.
The article highlights the factors that led to a major restriction of the investigator’s procedural independence as a result of a sharp growth in the number of procedural-administrative and procedural-control powers held by the chief of the investigative body.
One of these reasons is explained by the author’s efforts to address the conse-quences from the well-known crisis of law enforcement agencies in the 1990s, which resulted in a decline in the quality of preliminary investigation. The second justifica-tion is connected by the author to the Soviet preliminary investigation’s administra-tiveization and the assignment of traditional jurisdictional (judicial-investigative) powers to the executive authorities.
As a result, it is determined that the procedural independence of the investigator is merely another doctrinal illusion at the moment. It should be noted that the investi-gator’s discretionary powers are actually limited to a minimum, and their potential use depends on the procedural omnipotence of the chief of the investigative body.
In conclusion, in light of the topic of this article the prospects for the further development of the preliminary investigation bodies are examined.
We are in the midst of the fourth industrial revolution. We are seeing technology shift its identity: where it was previously used by us as a blunt instrument, it now replaces us, simply waiting for the correct instructions. This is why we hear about “disruptive” tech. When artificial intelligence has the power to perform relatively sophisticated lawyerly skills, we know it will become pervasive, but we think it’s time to put to bed those conspira- cy theories about “robo-lawyers”; Artificial intelligence is the reality to be embraced – the only future. Accordingly, this article will try to argue about the pre- sent potential use of artificial intelligence, namely in International Arbitration and will examine pros and cons that the arbitration community might get from implementing artificial intelligence in their day to day course of work. The article will also question the challenges that the arbitration community might face due to such innovative approach and equally the benefits it could achieve from it.
Фан тараққиёти замонавий мифологизация, уни тадқиқ қилишнинг янги усуллари, шаклларини кашф қилиш заруратини намоён қилмоқда. Шу сабабли бизнинг фикримизча замонавий мифология ва унинг аҳамияти тўғрисида мулоҳаза юритиш аҳамияти жиҳатдан ўринли. Мазкур тушунчани ижтимиоий жараёнлар маҳсули сифатида тадбиқ қилган ҳолда фикр юритар эканмиз, ўз навбатида у қатор ижтимоий ва психологик омилларга, жумладан, шахсининг ўзига хослигига ҳам боғлиқ. Мазкур жараён айниқса, иккиламчи мифологизация, яъни бадиий асарларни экранлаштиришда яққол кўзга ташланади. Мифологизация жараёни тафаккур тарзи билан бевосита боғланган бўлади.
V dannoy state analiziruyutsya vzaimosvyazannye i protivorechashchie drug drugu ponyatiya nekotorykh janrov oral narodnogo tvorchestva, privedennye v tolkovykh slovaryakh Uzbekskogo i Tajikskogo zyzykov. Dany varianty proslovits, anekdotov i slovosochetaniy na Uzbekskom i Tajikskom zykakh, yavlyayushchiesya plodom oral narodnogo tvorchestva, sopostavleny kulturnye i istoricheskie priznaki.