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«MODERN SCIENCE АND RESEARCH»
VOLUME 3 / ISSUE 3 / UIF:8.2 / MODERNSCIENCE.UZ
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BUXORO VOHASI ARXEOLOGIK MEROSIDA QOYATOSH SURATLARINING
TUTGAN O’RNI
Mahmudov Javohir Bahriddinovich
Osiyo xalqaro universiteti tarix yo’nalishi talabasi.
https://doi.org/10.5281/zenodo.10800803
Annotatsiya.
Ushbu maqola
Buxoro vohasida qoyatosh suratlarini o‘rganish jarayonida
bu hudud ibtidoiy davrdanoq odamzod tomonidan o‘zlashtirilganligi va keyingi tarixiy
davrlarda ham uzluksiz madaniyat yaratilib, Qizbibi tog‘ tizmasi va Nurota tog‘ tizmasi
o‘rtasidagi Malik cho‘ldan Zarafshon daryosi oqib o‘tib, daryoning shimoliy tomonida
Sarmishsoy darasida istiqomat qilgan aholining ibtidoiy ziroatchilik, chorvachilik va ovchilik
bilan shug‘ullanganligi aniqlandi.
Kalit so’zlar:
Qoyatosh suratlari, sarmishsoy, ibtidoiy davr, buxoro vohasi, Zarafshon
vohasi, rangli suratlar, Qizbibi, Tongotarsoy, Gurtuksoy, Qilichliksoy, Toytuyoqsoy,
Otchoparsoy, Umartolsoy
.
THE PLACE OF KAYOTASH PICTURES IN THE ARCHAEOLOGICAL HERITAGE
OF BUKHARA OASIS
Abstract.
This article, in the process of studying rock paintings in the Bukhara oasis, shows
that this area has been occupied by humans since primitive times, and a continuous culture has
been created in subsequent historical periods, and the Zarafshan river flows through the Malik
desert between the Kizbibi mountain range and the Nurota mountain range. , it was found that the
inhabitants who lived in the Sarmishsay gorge on the north side of the river were engaged in
primitive agriculture, animal husbandry and hunting.
Keywords:
Rock paintings, Sarmishsay, primitive period, Bukhara oasis, Zarafshan oasis,
colorful pictures, Qizbibi, Tongotarsoy, Gurtuksoy, Qilichliksoy, Toytuyoksoy, Otchoparsoy,
Umartolsoy.
МЕСТО КАЙОТАШСКИХ ИЗОБРАЖЕНИЙ В АРХЕОЛОГИЧЕСКОМ
НАСЛЕДИИ БУХАРСКОГО ОАЗИСА
Аннотация.
В данной статье в процессе изучения наскальных изображений
Бухарского оазиса показано, что эта территория была освоена человеком с первобытных
времен и в последующие исторические периоды создавалась непрерывная культура, а река
Зарафшан вытекает из пустыни Малик в середина хребта Кизбиби и хребта Нурота.
Установлено, что население, проживающее в ущелье Сармишсай на северном берегу реки,
занималось примитивным земледелием, животноводством и охотой. Ключевые слова.
Ключевые слова:
Наскальные рисунки, Сармишсай, первобытный период,
Бухарский оазис, Заравшанский оазис, красочные изображения, Кызбиби, Тонготарсой,
Гуртуксой, Килиличликсой, Тойтуёксой, Очопарсой, Умартолсой.
Buxoro vohasi qoyatosh suratlarining xronologik chegarasi kishilik tarixining bronza davri
(mil.avv. 3-2-mingyillik)dan boshlab o‘rta asrning so‘nggi bosqichlari bilan belgilanadi.
Sarmishsoy qoyatosh suratlarining ishlanish texnikasi va tasviriga o‘xshash suratlar
Farg‘ona vodiysi hamda O‘rta Osiyoning boshqa hududlarida ham uchraganligi qadimgi davr
aholisining etnomadaniy aloqalari natijasi ekanligi ochib berildi.
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VOLUME 3 / ISSUE 3 / UIF:8.2 / MODERNSCIENCE.UZ
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Buxoro vohasi qoyatosh suratlarining xronologiyasi, ishlanish texnikasi, mazmun-
mohiyati qadimgi aholining tafakkurini ochib berishga xizmat qildi.
XX asrning 60-yillarida O‘zbekiston qoyatosh rasmlarini o‘rganishda O‘zbekiston Fanlar
Akademiyasi haqiqiy a’zosi, akademik Ya.Gʻ. Gʻulomov rahbarligida Mohondaryo
ekspeditsiyasining a’zolari A. Muhammadjonov, M.Qosimov, O‘. Islomov, N. Toshkentboyev, T.
Mirsoatov, J. Kabirovlar Sarmishsoy, Qorong‘iungursoy va boshqa shu kabi yodgorliklarda bo‘lib,
ba’zi ilmiy izlanishlarni olib borganlar.
Bu kuzatishlar natijasi sifatida, 1964-yili N.X. Toshkentboyevning bu dara rasmlari
haqidagi maqolasi e’lon qilingan
1
.
Shundan so‘ng, J. Kabirovning Nurota tog‘ tizmalarining qoyatosh rasmlarini o‘rganish
borasida amalga oshirgan tadqiqotlari ahamiyatli hisoblanadi. U 1966-1972-yillar mobaynida
Nurotaning Oqtog‘ va Qoratog‘ tizmalaridagi Sarmishsoy, Bironsoy, Tongotarsoy, Gurtuksoy,
Qilichliksoy, Toytuyoqsoy, Otchoparsoy, Umartolsoy, Qorachorvoq, Naymanchaliksoy
daralaridan yangi qoyatosh rasmlarini topib, ularni ilmiy jihatdan o‘rgangan
2
.
Sarmishsoy Navoiy shahridan 40-45 km shimoli-sharqda, hozirgi Navbahor tumanida
Qoratog‘ning janubiy yon bag‘rida joylashgan. Daraning uzunligi 5.5-6 km bo‘lsa, uning eni 15
metrdan 200 metrgacha cho‘zilgan, qoyatoshlarning balandligi 15 metrdan 50 metrgacha yetadi.
Sarmishsoy darasida antropogen landshaft shakllanishining asosiy sabablardan biri uning
iqlimidir.
Sarmishsoy darasida 200ga yaqin arxeologik obyektlar mavjud bo‘lib, qoyatosh suratlari
bularning gultojidir. Sarmishsoy darasi, asosan, salanets, granit va mayda zarrali qumtosh
qoyalaridan iborat.
Sarmishsoy suratlari haqidagi dastlabki xabarlar 1958-yildan keng ommaga yoyila
boshlangan edi. O‘shanda Xalilullo Muxammedov «Qizil O‘zbekiston» gazetasida dara haqidagi
o‘z maqolasini e’lon qilgan edi.
XX asrning 70-80-yillarida Nurota tog‘ tizmasining Oqtog‘, Qoratog‘ hududlarida
arxeolog olimlar J. Kabirov va M. Xo‘janazarovlar tomonidan olib borilgan ilmiy tadqiqot va
kuzatish ishlari natijasida 60 dan ortiq qoyatosh rasmlari aniqlanib, ularda ilmiy tadqiqot ishlari
olib borilgan.
Xatirchi tumani hududi, xususan, Nurota tog‘ tizmasi qoyatosh rasmlari tadqiqotida
O‘zRFA Arxeologiya instituti qoshida 1987-yili M. Xo‘janazarov rahbarligida tashkil etilgan
“Qoyatosh rasmlarini o‘rganish” guruhi tomonidan amalga oshirilgan ishlar natijasi muhim
ahamiyat kasb etadi.
O‘zbekiston qoyatosh rasmlarini o‘rganishda Nurota tog‘ tizmasi juda istiqbolli hudud
hisoblanadi. 1987-1989-yillar mobaynida M.Xo‘janazarov Oqtog‘ning janubiy yon bag‘rida olib
borgan tadqiqotlari jarayonida Oqsoqolotasoy darasi yon bag’irlarida yangi qoyatosh rasmlari
borligini aniqladi . Ana shu ungur va kamarlarning devor va shiplariga qadimgi ajdodlarimiz
rangli buyoqlarda rasmlar chizib qoldirganlar.
1
Тошкенбоев Н. Х. Наскальные изображения Карангурсая и Сармича // ИМКУ. Вып. 7. Ташкент. 1966.-С.36-
39.
2
Кабиров Ж. Сармишсойнинг қоятошларидаги расмлар.-Тошкент, 1976.-Б.4-5.
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