The article deals with Turkic mythology refers to myths and legends told by the Turkic people. It features Tengrist and Shamanist strata of belief along with many other social and cultural constructs related to the nomadic and warrior way of life of Turkic and Mongol peoples in ancient times.[1][2][3] Turkic mythology shares numerous points in common with Mongol mythology.[1][2][3] Turkic mythology has also been influenced by other local Asiatic and Eurasian mythologies. For example, in Tatar mythology elements of Finnic and Indo-European mythologies co-exist. Beings from Tatar mythology include Äbädä, Alara, Şüräle, Şekä, Pitsen, Tulpar, and Zilant.
In the literature, in the process of a new creative approach to the mythological image, the plot, of course, lies the religious worldview and the oral tradition of the people. In the literary process, the creative approach to myths has been unique in each period. In modern Arabic prose (the second half and the end of the twentieth century), especially in storytelling, new artistic researches have emerged in mythological images and plots, legends from religious sacred sources, and creative approaches to stories about the lives of prophets. In Egyptian literature, this trend is also called " رايت ةيروطسلأا " "mythological current". In the stories of this story, fantastic, mysterious, strange elements are included in the text of the work and blend with the real reality. In modern Arabic literature, Najib Mahfouz, Yusuf Idris, Diya al Sharqavi, George Salim, Munir Uteiba, Zakaria Tamer, Abdurahman Majid ar-Rubeyi, Muhammad Shalan, Ibrahim Aslan, and a number of other writers have written mythological and religious references to books. As a result, they created their own works with a unique style. In this article, the Egyptian writer Munir Uteiba's story "Warning" is characterized by its intertextuality, which uses the ancient myths of the Indian people to reveal the modern image of man, its moral and spiritual flaws and flaws. Keywords and phrases: creative process, myth, mythology, folklore, myth, mythology, mythological current, intertextuality, mythological image.
This article is devoted to the emergence and development of the mythology of the Turkic peoples of Central Asia. Initially, the article gives a brief general description of the myth in science, in particular in the literature, the stages of its development are consistently revealed, based on examples from reliable sources. Myth as a means of expressing the primitive person’s emotional attitude to reality in ancient times played an important role in the life of a person as a whole, including developing in stages, and today has its place of honor in literature, influencing the emergence of new genres and merging with them in the text of the works.
This article shows that the artistic structure of the work in modern Uzbek novels is built on the basis of an ancient myth (for example, the ancient myth about the "tree of life" in the novel "Chinar" by Asqad Mukhtar), the mythological plot serves as a criterion for describing the mental state of the hero (for example, in the novel "Mahmud Torabi" by Asad Dilmurod The myth of Ulgan and Erlik), the construction of the interpretation of time and space on the basis of a mythopoetic model (for example, the novels of Amon Mukhtar), the absorption of the essence of the mythological image into the character of the hero (for example, the novel "Shokh" by Shoyim Botaev) is about the meeting of different types of mythology. Images related to mythopoetic thinking in modern Uzbek novels include the introduction of the ethnopoetic context related to archaic ceremonies, paintings and rituals that express the ancient mythological beliefs of our ancestors, stylization of myth plots and motives, images related to totemistic, animistic and magical beliefs and It consists in researching such forms as the poetic transformation of symbols and ethnic mythology, that is, the use of myth plots and mythologemes related to the poetic thinking of other peoples and peoples.
This article covers theories of Uzbek and English mythology and demonology, as well as "Comparative study of demonological and mythological characters in Uzbek and English."
The article analyzes the fact that in the stories of Nodir Normatov, a writer with a unique style of prose, the use of poetic interpretations of ancient images belonging to the most ancient layers of Uzbek mythology to symbolic metaphors, myths and legends served to illuminate the spiritual world.
In this paper, the question of the origin of some idioms is considered, their classification is given. Special attention is paid to idioms that go back to historical facts, folklore, mythology, as well as literary works. Specific examples are given for each of these types of idioms.
The article comprehensively covers the life and work of the Afghan classical poet Abdurrahman Momand (Rahman Baba). Along with presenting the opinions of literary scholars on the essence of his poetry and the place of his works in the history of Afghan literature, it highlights the content and artistic features of his poetry using specific examples. The article also highlights the question of his attitude to Sufism, the poet's views on the reality of his time, and reveals the essence of humanism and national character expressed in his poetry. The scientific significance of this article is determined by the fact that for the first time in the Oriental studies of Uzbekistan, the life and literary works of the poet are presented in the broadest possible way, and conclusions about the essence of his poetry are made on the basis of a direct analysis of his poems. Keywords and phrases: creative process, myth, mythology, folklore, myth, mythology, mythological current, intertextuality, mythological image.
This article highlights the intersection of realism and postmodernism of the 20th century and the hypertextuality of Tatiana Tolstoy's prose. The purpose of the article is to study the poetics of mythological prose, methods and forms of mythologization in modern Russian prose. The scientific novelty lies in the fact that this article seeks to consistently explore not only the myth, but also the mechanisms of mythologization and demythologization in Tolstoy's prose, as well as to identify the axiological and ontological features of mythology in the writer's texts. The theoretical significance of the article consists in the further development of theoretical knowledge about the categories of mythopoetics, the deepening of ideas about the mythologism of literature and the genre features of the mythological novel. The practical significance of the article lies in the fact that its materials can be used in lecture courses and seminars on the history of modern literature, the theory of myth, as well as in the works on T. N. Tolstoy.
The article deals with folklore and mythological motifs of Guzel Yakhina's prose works. Th e analysis of the artistic structure of two novels by this modern writer is being carried out: “Zuleikha Opens Her Eyes” and “My Children”. Th e following thesis is being put forward and justifi ed: cinematographic nature and vivid imagery of prose, national color, appeal to folklore and mythology actualizes the problems of works that tell about human life in tragic periods of national history.
Mythology refers to a collection of traditional stories, beliefs, and narratives that are typically rooted in a specific culture, religion, or society. These stories often involve gods, supernatural beings, heroes, and legendary events and are used to explain the origins of the world, natural phenomena, human behavior, and societal customs. Mythologies can vary significantly from one culture or civilization to another and are an integral part of the cultural heritage and identity of a group of people. Origin Stories: Myths often contain creation stories that explain how the world, humanity, or specific aspects of life came into existence. These stories may involve divine beings or cosmic events.
Although the realities of life of our ancestors were the primary basis for the emergence of riddles in the historical-folklore process, mythological views, ancient rituals, word magic and beliefs related to the taboo tradition played an important role in its formation. The article describes the mythological concepts that form the basis of the formation of Uzbek folk riddles on the example of an analysis of an Uzbek riddle.
The article deals with the traditions of folklore in the works of Alisher Navoi, the role of mythology and folk art in the epic “Sabai Sayyar”, the plot of the epic in folklore, the connection of the main motives with folklore; folklore traditions in the interpretation of the composition and image system of the epic “Sabai Sayyar”; the sources of the plot of the epic “Sabai Sayyar” in the folklore of the peoples of the East and the artistic evolution of the epic plot are analyzed. The plot of the epic “Sabai Sayyar” is clarified in connection with the traditions of Uzbek folk epics.
Mythology refers to a collection of traditional stories, beliefs, and narratives that are typically rooted in a specific culture, religion, or society. These stories often involve gods, supernatural beings, heroes, and legendary events and are used to explain the origins of the world, natural phenomena, human behavior, and societal customs. Mythologies can vary significantly from one culture or civilization to another and are an integral part of the cultural heritage and identity of a group of people.
This article analyzes astral myths and mythological representations of our ancient ancestors, who lived in Central Asia, and reveals their specific features, genetic origins and symbolic interpretation in the monuments of material culture.
The article provides a gradual presentation of the historical works that led to the artistically perfect depiction of the epic horse in the epics. The place of the horse in the history of the Turkic peoples, the confessions of historians in this regard, the findings of the horse in ancient manuscript sources, in short, the ideology of the Turkic peoples is compared with the image of a war horse in the epics.
As characteristic of the war horses described in folk epics, they appear to be the most perfect of the natural horses, as well as the horse features expressed in mythological and totemistic beliefs. In this respect it was understood that the war horses in the epics must be directly or indi- rectly dependent on water horses and celestial horses in order to be true tulpars.
In this article, we will take a closer look at the natural, religious beliefs and views that underlie the creation of the epic horse image in folk epics.
The article also includes “nomadic mavaniyer”, “animal-mother” traditions and beliefs, “Devonu lug'otut-turk” and commentary on Turkish words related to the horse, analysis of the image of the horse in the Karvash folk epics and interpretations took place.
The Shahnameh is essentially a chronicle of kings, with large sections separated by the coronations and deaths of individual monarchs. It covers the reign of fifty kings, from the first, Kumar, to the unfortunate Yazdegerd, who died fleeing the advancing Arabs. The kings and heroes of Firdousi constantly participate in battles, hunts and court feasts - feasts, battles and festivities - which are the main elements of the military code and entertainment of the ruling. However, they also find time for sports, games, and romance.
Фан тараққиёти замонавий мифологизация, уни тадқиқ қилишнинг янги усуллари, шаклларини кашф қилиш заруратини намоён қилмоқда. Шу сабабли бизнинг фикримизча замонавий мифология ва унинг аҳамияти тўғрисида мулоҳаза юритиш аҳамияти жиҳатдан ўринли. Мазкур тушунчани ижтимиоий жараёнлар маҳсули сифатида тадбиқ қилган ҳолда фикр юритар эканмиз, ўз навбатида у қатор ижтимоий ва психологик омилларга, жумладан, шахсининг ўзига хослигига ҳам боғлиқ. Мазкур жараён айниқса, иккиламчи мифологизация, яъни бадиий асарларни экранлаштиришда яққол кўзга ташланади. Мифологизация жараёни тафаккур тарзи билан бевосита боғланган бўлади.
There is a special cultural and spiritual interpretation of numbers in intercultural dialogue, which is preserved from history to the present. The similarities and differences in ethnic cultures can be explained by lifestyle factors, ethnography, and the geographical location of the mentioned sources and literary works. Customs, ceremonies of peoples, as well as literary and other sources can be considered evidence of the existence of a long-rooted connection of numbers in the thinking and mythology of peoples. This article discusses the meaning of numbers in the customs and traditions of the Turkish peoples. Although their geographical location is far from each other, it has been said that there are certain rituals associated with certain numbers. The article explores the relationship of certain events related to the ceremony numbers, their particular importance in Turkish national culture. The preservation and revival of national values associated with the figures that form the unique mentality of Turkish today is one of the priorities of the country's cultural policy. The work describes the performance of Turkish rituals associated with the birth of a child, their influence on the further life of a person. Ethnopsychological features of the Turkish people that distinguish it from other nations and nationalities. You can see how religion has influenced the culture of some peoples, as well as what led to the emergence of new customs and traditions among people. Religion and religious concepts in Turkish folklore and cultural life are deeply rooted in the minds of people. The proof of our words is the existence of various ceremonies conducted by local residents. Numbers have their place and meaning in Turkish prayers and various ceremonies. Ceremonies associated with numbers have similarities in rural Turkey.
The article is devoted to the problems of the development of fundamental and applied popular concepts of myth in Russia. The works of outstanding scientists in various forms of Russian national culture are investigated, the achievements of classical science, which have turned into basic axioms to date and allowed to study the mythology of a literary work, are examined. Based on the writings of scientists, the author tried to outline the modern concept of myth and its functional properties.