The innovative component of the article lies in an in-depth study of the classification, description and functional analysis of the image of “Peri” in the Avesta. Peri qualifies in the Avesta a deceptive image that distracts a person from his true faith. Interestingly, the article substantiates the character of the peri, with its simultaneous ability to appear in front of a person in bodily, often in the guise of a beautiful girl. Details of cases of marriage of peri with the heroes of stories are given. All this is given in the article as “positive” image properties. However, the essence of the negative properties of peri is convincingly revealed. It is argued that the image of the Peri is one of the forms of manifestation of the source of all the evils of Ahriman. On specific examples, the facts of the use of images of evil peri in magic acts, forms and fortune telling with the aim of influencing the psyche of people are revealed.
This article talks about the relationship between literature and folklore, about the classification of folklore borrowings
World perception - a larval condition, which defines readiness to realization worldoutlook to activity, and which is expressed by mutual contact with external ambience on the base of the beliefs about the world and about itself, social rates and valuables. The Model world perception consists of motivation, profound and operation component. World understanding is built on the base world sensation and world perception. The Particularity world understanding on measure of the shaping the science all more open through got by her knowledges. The Sense world understanding consists of that that he is a foundation of the development of need and outlook of the person, his(its) judgements about rate and value, and naturally and argument to activity. Shaping and improvement world sensation, world perception and world understanding leads to growing of efficiency to essence of the worldoutlook and increasing of power of the influence him(it) on active life.
Fiction as a type of arts possesses with its distinguishing features. The palette of the descriptive-expressive resources include the depiction processes of the nature. The author, referring to the nature, deals with the various forms of its presence in the literary work through the mythological presentation of its power and influence on the human-being, its poetic embodiment, description of animals, which have the human-beings related features, plants, as well as the landscape descriptions in the process of depicting of the local neighborhoods. At its early stages, the folklore of the Korean people possessed with the mythological power of nature, including poor landscape descriptions, which were personalized and actively lived in the lives of human-beings. The description of nature become more acceptable, losing that “beaty”, which was seen as main composition principle of description of the nature such as hyperbolizm. So, it is clearly seen a tendency to the individualization of the tractate about the nature, which influences on the heroes in their trials to comprehend properly the surrounding world, and define their own places in the natural circle. The Korean literature transfers the nature through the traditional images, such as the mountain, the pine tree, moon, and through the depiction of the seasons of the year and the time of the days. The pine tree and mountain are seen as the natural phenomenon, which feel the loneliness. These phenomenon are the subjects of the environment, which create the whole unity with the surrounding world of the human-beings. Such unclearness of the lines between the human-being and nature are the harmonious unity of a human-being and a world. Usually the depiction of the mountain, water, moon and etc. where the action takes its place. Due to the Dao’s visions it prevails the benevolent peacefulness, averting from nature from the routine life, in order to get the harmony with the nature. In the whole it is to acknowledge that the Korean prose of XVII – XVIII centuries, the authors come to the depiction of nature, without the deep details of descriptions. Factually, the nature did not play that role, which was related with the revealing process of the emotional world of story-telling. Here, it is being transferred as the “calling” phrases, it generally demonstrates the emotional background of the literary work. So, the gist based features of the Korean prose of XVII – XVIII centuries very clearly proves about the cosmologic idea of relation to the nature, including a special vision of nature and laws.
In this paper, local directional pattern (LDP) based methods for frontal face recognition are discussed (summarized). LDP based face feature extraction and comparison methods and their performance results are given. Although, in the paper method for normalizing illuminations of face images is given. Were performed the results of experimental research of the developed algorithms
Статья представляет анализ лексического уровня стихотворения Андрея Вознесенского "Бьют женщину". Работа фокусируется на использовании лексических единиц, структуре языка, иронии, сарказме, а также на образах и ассоциациях, используемых поэтом. Автор выделяет ключевые черты, делает акцент на многозначности стихотворения и открытости для толкования, обогащая текст эмоциональной окраской и сложностью человеческих отношений.
This article deals with a thorough examination of the visual elements employed by writers, shedding light on the imaginative and symbolic dimensions of their work. This analysis contributes to a broader comprehension of the complexities and nuances of non-realistic literature.
The article analyzes the poems written in the traditional form of creativity of Barik Shafei, identifies the problems of their form, content and art, their place in the poet's work and in the literature of this period. The article examines the state of literature in the Dari language at the beginning of the twentieth century, the place of traditional genres in lyric poetry, such as gazelle, rubai and qasida, as well as the changes that took place in poetry in the Dari language at that time. Also, questions of content are clarified first, and then changes in forms. The research is based on theoretical research methods. In the work of Barik Shafei, despite the change in content, there are poems of the traditional form. In the poet's poems, the subject of love of the lyrical hero is mainly socio-political themes. In these poems, the traditional romantic spirit is now shifted towards caring for the Motherland and the life of the people, their fate. There have also been changes in the means of artistic depiction in poetry. In particular, we can see in poems that such pictorial means and techniques as "shham", "shu'la" and "parvona" do not have the same meaning as in traditional poems. Also, according to the rhymed form of the gazelle "Khar kadar" ("No matter how much"), it refers to the type of gazelle in which the first line is repeated in the last line. The content is different from that of traditional poetry. In the gazelle, the poet from time immemorial expounds his complaints. In the poems of Barik Shafei, these images expanded their semantic volume in accordance with the theme and tone. The poet has renewed the word by reinventing it, but we see that the layers of meaning have not completely disappeared, but the meanings are gradually preserved in them.
В данной статье анализируется, произведение Т. Толстой, «На золотом крыльце сидели» определяются особенности использования автором в рассказе различных фольклорных и мифологических образов, как основу для создания персонажей.
В современном мире существует много народов, национальностей. Каждая из них имеет свою культурнею ценность, историю и язык. Благодаря языку человечество воспринимает и изучает культуру, историю и все те явления, которые нужны для совершенного, цивилизованного общества. Термин «картина мира» это «совокупность внутренних образов внешних предметов, из которых логическим путем можно получать сведения относительно поведения этих предметов. Внутренние образы, или символы, внешних предметов, создаваемые исследователями, должны быть такими, чтобы логически необходимые следствия этих представлений в свою очередь были образами естественно необходимых следствий отображенных предметов» [1, 32].
The most important part of the culture of all nations is its literature, which has deep
traditions and absorbed all the artistic experience of past eras. Modern authors expand the reader’s horizons, using archetypal plots, images, ideas and projecting them into the modern world. The modification of the cultural values of the past serves as the creative tasks of contemporary writers who seek to reimagine the modern world through mythopoetics.
The article analyzes the philosophical and didactic work of the scientist Yusuf Khass Hadjib Balasaguni, who lived in the X1-XN centuries, "Kutadgu Bilig" ("Blessed knowledge") and the moral and spiritual views contained therein. The first major monument of Turkic written literature, the work "Kutadgu bilig", which is a kind of manifestation of the didactic philosophy of the Turkic peoples, contains detailed information on the advanced socio-political, spiritual and moral issues of its time, history, culture, science, traditions and foundations of the Turkic peoples, lifestyle, values. The themes of this work are very comprehensive and the issues of man in particular, his social essence, thinking, morality are described through artistic images, poetic proverbs and sayings. The modern meaning of the thinker's views on speech and language etiquette is manifested through symbols, signs and symbols and coverage of such issues as man and faith, man and society, man and duty.
In the early religious ideas, a specific interpretation of the nature surrounding man, the laws of his appearance and development, was given. In the works of Chingiz Aitmatov, the unity of man and nature is expressed in folk philosophy and in the means of universal values. Through animalistic images, the writer tries to immerse in the imagination of every person deep knowledge about the world of animals and plants, teaches that without the world of plants and animals, a person can not live, nature is not created only for people, but also to respect it as a universal independent value outside of society.
In the article, literary works are explored as a means to reveal intercultural communication facts in artistic form, emphasizing the intricate interplay of cultures within the narrative. This approach allows for a comprehensive understanding of the complexities of multicultural interactions, highlighting the nuances that enrich the characters' experiences and contribute to a deeper cultural awareness.