In the given article the author makes analyze of problems of responsibility differentiation established by the Criminal code of the Republic of Uzbekistan for perpetration of deliberate and careless crimes. The author suggests fixing the corresponding rules differentiating the responsibility for perpetration of crime by intention and imprudence.
Without a deep study of the history of the text of classical works of art, it is impossible to talk about the progress of the science of textology. Because the concept of text history is one of the basic theoretical foundations of textual studies. "The history of the text includes all the processes from the investigation of the genealogy of the manuscript sources to the study of the worldview and ideas of the author and the scribe who copied the source, from the realization of the author's creative intention in the creation of the work to the study of its interrelated aspects with other literary monuments that are related to its creation to one degree or another" [6 ,9], it becomes more clear how important it is to study this scientific problem.
In this article, the potential for conflict culture to be instilled in pupils through the study of "upbringing" is highlighted. The newly introduced discipline "upbringing" is taught in the general secondary education system with the intention of preparing students for a successful social life and fostering in them a competitive personality that embodies high morals and cultural values. The methods for developing conflict avoidance abilities in pupils are suggested during the teaching of this subject.
This article discusses the main semantic aspects of business communication in two different languages, specifically English and Uzbek. Idiomatic expressions play an important role in various discourses because of their acting as a figurative form, which gives special meanings in the intention of the speakers.
The article analyzes the work of Arthur Schopenhauer, the theoretical ideas that motivated the formation of his worldview based on various sources. It reveals life factors that influenced the worldview of the thinker, the interaction between Arthur Schopenhauer’s creative activity in his practical life. In the philosophical views of the thinker, the issue of existence, his ideas about human will are analyzed, Schopenhauer’s doctrine of morality and attitude to religion are thoroughly covered. Schopenhauer’s philosophical system can be superficially compared to the «Four Noble Truths» of Buddhism. According to Schopenhauer, there is no doubt that the whole world, the whole life consists of pain and suffering. The cause of suffering lies in the mindless, wandering, disordered-chaotic will, which voluntarily and freely creates and destroys human life, does not give it any meaning. But suffering can be stopped: life can have meaning, if the mind refuses to serve the will, if it makes «Nothing» its goal, if it becomes absorbed in «Nothing». Schopenhauer suggests a way to escape suffering and reach Nothingness: suffering and asceticism. Looking at liberation in the context of Buddhist teachings, it can be said that Schopenhauer’s philosophy is a European version of nirvana. Schopenhauer promotes Buddhism and calls Indian terms synonymous with his own terms. As we will see below, the negation of «I» in Schopenhauer is based on a Brahmanic script, not a Buddhist one. Behind the immanent individuality is the groundless, substantial will, the «thing-in-itself» that «carries infinite individual possibilities.» In Buddhism, the «I» is disintegrated into a stream of ever-changing elements that appear and disappear every second. Indeed, in «Aphorisms of Life Wisdom» Schopenhauer does not reflect on human compassion and asceticism. In this treatise, the reader is offered a compromise: Schopenhauer forgets about the high moral and metaphysical point of view, and argues that it is possible to live happily from an everyday, empirical position. In his metaphysics, such a possibility turns out to be a lie and a mistake, so Schopenhauer agrees that the value of the «Aphorism ...» is conditional and nevertheless puts forward his advice. Schopenhauer’s idea that “will is the sign of totality” emerged as an analysis of the works of Kant and Fichte. He acquired the idea of the primacy of ideas or phenomena of will from Plato; the overall pessimistic outlook and the idea of abandonment of will in his works are acquired from Buddhism. The life ideal of the philosophers is the ascetism in Buddhist fashion. Despite fact that the worldview of Schopenhauer is heavily influenced by Eastern philosophical traditions, he insists on the independent emergence of his own philosophical system.
In recent years, in many branches of linguistics, the stylistic possibilities of syntax, especially emphatic devices, have become increasingly important in conveying the communicative purpose of the speaker or listener as in a pamphlet and in its correct acceptance by the recipient. This article discusses the importance of syntactic stylistics as one of the main branches of linguistics and various interpretations of the concept of emphasis, as well as the properties of emphatic devices, their role in providing textual cohesion, conveying the author`s communicative intention and emotional condition by giving stylistic expressive shade to the utterance.
In this article, it was analyzed that the value of the word, the im-portance of poetry and the spiritual and educational function of literature are of great importance in the basis of the philosophy of Abdulla Aripov’s literary and aesthetic views. The trinity of poet, poem and words forms the basis of Abdulla Aripov’s literary- aesthetic views, in this article “Ehtiyoj farzandi” he distinguishes three strages of the poet’s creative formation, his thoughts on the trinity of poet, poem and wordsshow that Abdulla Ar-ipov’s literary aesthetic concept is based on high requirements. It was highlighted that it does not lose its importance in any age in terms of calling people of creativity to self-examination and constant search for creative perfection.
This article deals with Bulgakov's biographical dramas, which touch upon the theme of the artist and power. This topic is analyzed on the example of the play "Alexander Pushkin"
In the works of prominent representatives of modern Arabic and Uzbek literature, Gad al-Samman and Zulfiya Kurolboy kizi, the psychological image and style, which is very relevant in the field of literature today, is in the center of attention of a wide range of readers and literary critics. The prose of these two writers, in particular, is characterized by the fact that their stories are created in the environment and reality of different socio-political situations. This article discusses the issues of psychologism and
psychological analysis in the stories of Gada as Samman and Zulfiya Kurolboy kyzy, as well as the common features of the works of the two writers. The similarity of the style of writers is revealed, as well as the possibility of using tools of psychological analysis, such as internal monologue, speech characteristics, psychological portrait, hallucinations, dreams, reveals the inner world of the protagonist. The writers Gada as Samman and Zulfiya Kurolboy kizi also include psychological analysis in their work, such as inner speech - inner replica, inner dialogue, inner monologue (monologue-discussion, monologue-memory, monologue-reflection), speech characteristics, portrait, repetition, hallucinations, skillfully using their tools, create prose works enriched with elements of psychological and magical realism. In particular, the depiction of psychological images, inner speech, and the concept of inner monologue play an important role in their work. Similar ideas in the works of two writers who lived and worked in different countries, having no connection and influence, the harmony of the author's intention, commonality in society, the harmony of the author's style Gada al-Samman and the daughter of Zulfiya Kurolba, a certain shift in literary processes proves that he was one of the creators who influenced the rise.
Nowadays, the ability to communicate in a foreign language has particular importance with the development of international cooperation. The success of communication (as the essence of communicative competence) depends not only on the speaker’s desire to make contact, but also on the ability to realize the speech intention, which depends on the degree of proficiency in language units, and the ability to use them in specific speech situations. Therefore, it is necessary to analyse what is communicative competence.
The aim of the present paper is to highlight the role of semelfactive verbs in the lexical –
semantic and aspectual formulation of verbs for their ability to enter into the relationships of aspectual partnership. Considerable amount of attention has been given so far to the importance of the lexical verb meaning in the science on the subject. Our intention will be to identify one of the possible solutions, which aims at reconciling the multiplicity and variety of approaches towards the identification of aspectual pairs
This scientific article explores the significance of pragmatic analysis in the field of linguistics. Pragmatics, as a subfield, plays a crucial role in understanding language beyond its structural components, focusing on context, intention, and communicative effectiveness. This article delves into the theoretical foundations of pragmatic analysis, its key concepts, and its applications in linguistic research. Through an extensive literature review, we examine seminal works and recent developments in pragmatic analysis. The main body of the article presents case studies and examples that illustrate the practical implementation of pragmatic analysis in various linguistic contexts. The discussion section critically evaluates the strengths and limitations of pragmatic analysis, considering its interdisciplinary nature and potential areas for future research. The conclusion summarizes the key findings and emphasizes the ongoing relevance and importance of pragmatic analysis in advancing our understanding of language and communication.
The article analyzes the semantics and structure of a literary text. When writing a work, the author enters into a dialogue with the reader. This is such a complex process of communication, where different outlooks meet. The author builds a second language on top of the existing native language. A literary text is a form and expression of the author's thoughts in words. At the same time, the author's national, linguistic and religious thinking is of paramount importance. Man is considered a biological and social being, which is reflected in the text. When analyzing a work, the author's style, worldview, perception of the world is reflected in the text to one degree or another. When analyzing a work, three discourses are distinguished: the author, the text and the reader. The text of a work of art is a multi-layered and multi-valued device. Text is a means of communication and contains such meanings as message, information, confirmation, negation, relation. The analysis of a work according to a literary text does not allow criticism to be distracted. Reader who receives incoming thoughts.
The analysis of any work leads us to understanding the author's intention and understanding the meanings.
The article discusses the importance of the title in the structure of a work of art.The title of the work emphasizes the manifestation of the author’s ideological and aesthetic views. The integrity of the semantic pointsallows you to clearly express the essence, increases the aesthetic power of the work. The integrity of the semantic points allows you to clearly express the essence, increases the aesthetic power of the work. With the name of the element in nature, the simbolizm in the title increases. An artist entering into an artistic dialogue must not only convey certain information and novelty to the reader, but also encourage him to a creative approach.
The first semiotic center in the content is the title, which contains the author's idea, concept. The title is a preface to the first impression, the dialogue between the author and the reader. Assessing the essence, talent, and creative intent of artists begins at this point. Stories such as "Let's go to the mountains", "Rocks also cry", "The coast of Happiness" are strengthened by the name of the place. The image of the place not only gives aes- thetic pleasure, but also points to the main event, the key related to this place.
The first sentence is the beginning of the dialogue, the unseen meeting of the character and the reader, an important sign of the compositional level. The next situation and condition is the prelude to dialogues and monologues. The subject, the first impression of the conflicts are the process of moving to the next level, the acceleration of activity. In the story, the epigraph is important to generalize the poetic content, to read the artistic intention. The author increases the ideological, emotional weight byinserting the necessary extract (such as a poem, a saying, proverb, hadith)on the subject covered. It draws attention by the fact that it has the main meaning in itself, justifies the state of the character.
In some languages, the pronoun one's is the first component. One's cards are on the (able- to reveal oneself, to reveal one's intention. One's sur is full- One's days are numbered- Does he have five days or not. One's hair stands on end- My hair stood on end; I had no energy left; I lost my memory. One's number is ur- His luck is gone; his period is over; his condition is broken.
The article is related to a particular distribution of functions amongst gods and goddesses of Zoroastrian pantheon in term of religious rituals, daily and religious practices.