The great Azerbaijani poet Sheikh Nizami Ganjavi started a unique poetic phenomenon in world literature - khamsalik. Although it was written in Persian, it is known that the great poet's "Panj Ganj" reflects the Turkish thought and the Turkish spirit. The great Uzbek thinker Hazrat Alisher Navoi brought the poetic tradition started by Nizami Ganjavi to a high stage of development with his "Khamsa". According to Professor Almaz Ulviy, the author of remarkable scientific studies on Azerbaijani-Uzbek literary relations, Alisher Navoi did not limit himself to the consistent continuation of Nizami's traditions, but also raised the level of development of Turkish literature. After all, the respect for his great predecessor, the recognition of his unique services in the development of poetic thinking is clearly felt in every epic of Hazrat Alisher Navoi's "Khamsa". This is also confirmed by the fact that separate chapters of "Khamsa" epics are dedicated to him.
Мақолада ўзбек миллий мақолларининг қўлланилиши, уларнинг илдизлари ва миллий қадриятларимиз билан узвий боғлиқлиги, ҳар бир сўзнинг маъно хилма-хиллиги, ибораларнинг турғунлиги, шаклий барқарорлигининг устунлик қилиши, қулланиш ўрнига қараб уларнинг маъно доираси доимий равишда кенгайиб бориши ва оиладаги,ёшлар тарбиясидаги ўрни қанчалик муҳим эканлиги бир неча мисоллар билан кўрсатилган
The method of linguopoetic analysis plays a key role in determining the essence of poetic phenomena in the text of wishes/applause/prayers, studying their relationship, the influence of linguistic units on the aesthetic thinking of people. Opposite lexemes in Turkish wishes/applause/prayers have a wide range of lexical units for opposition in the text, and along with antonyms, they serve as a linguistic means of opposition in a literary text. In almost all works, text analysis takes into account only contradictions within one category, while in a literary text, along with words of one category, words belonging to different categories also actively participate as lexical means of creating contrasts. Contradiction is one of the main criteria for evaluating events. The role of the category of opposition in understanding the universe is incomparable. Revealing the essence of events is nothing more important than using their opposite. Contradiction arises not only as a reflection of the phenomena of objective existence, but also as a product of the world of thought. Turkish wishes/applause/prayer also has the ability to show your art through contrast. The linguistic expression of contradiction is interpreted as “antonymy”. However, the criteria for determining antonyms, in particular categorical restriction, do not provide sufficient coverage of the nature of the contradiction. Indeed, the categorical seme underlying the classification of words is the most frequent characteristic component of the semantic structure of a word. They do not create contradictory relationships and do not deny their existence. Accordingly, it is necessary to study the category of contradiction outside the category.
Бадиий адабиёт ривожида ижодий анъаналарнинг урни алохида. Ижодий анъана, биринчид-». муайян даврга мансуб шоиру адибларнинг салафлар махоратидан сабок олишлари, иккинчидан, поэтик образ ва поэтик шаклларнинг янгиланиши, такомиллашувини таъмин этишига кура адабий-эсте- тик тафаккур такомилига хизмат килади. Хоразм адабий мухити намояндалари, жумладан, Мутрг шеъриятига Алишер Навоий анъаналарининг таъсирини урганиш ана шу жихатдан долзарбдир.
This article explores the work of Rashid al-Din Watwat “Gardens of Magic in the intricacies of poetry” as a classic poetic source. This topic is covered in scientific articles, dissertations in Russian and scientific literature in Persian. Decree of the President of the Republic of Uzbekistan dated May 24, 2017 No. PP-2995 “On measures to further improve the system of preservation, research and popularization of ancient written sources” opens up great opportunities for studying many manuscript sources that have not yet been studied. The article contains interesting facts about the work of Rashiduddin Vatvat “Gardens of Magic in the intricacies of poetry”, the importance of the work from the XII century to the present, as well as literary works and examples. This work served as a source for all scientists who were engaged in "bade' science". The work has not lost its scientific and literary value to this day, and in this article from a literary point of view only a small number of copies are considered. As the main issue, the role and significance of the work in the source studies, in particular, the contribution of this work to the theory of literary and their using in various translations and studies are analyzed.
This article traces the development of the twentieth-century short story genre based on a comparative historical and comparative typological analysis of the short story genre of Egypt, Syria, Iraq, Palestine, Jordan, and Lebanon, and reveals the processes of interaction and adaptation of modern trends and directions based on the analysis of short stories by Arab writers of the twentieth century. The author highlights the methods of using the artistic traditions inherent in medieval Arabic prose in combination with modern means of expression and image, creative interpretation of myths of the peoples of the East and Greece. The article presents new interpretations of themes and images of short stories from ancient religious sources for artistic and aesthetic representation of modern reality, as well as it analyzes the features of the themes and poetics of modern Arabic short stories such as “ short story” “ ةريصق ةصق” (kissatun kasiratun), “long short story” “ ةليوط ةصق ” (kissatun tavilatun), “very short story” “ ادج ةريصق ةصق” (kissatun kasiratun jiddan).
This article analyzes the works of the talented writer of Afghan storytelling, Rahnavard Zaryab, in particular, his stories such as “Photography Teacher”. Unlike traditional Afghan writers, the author is interested in a description of the processes taking place in the human heart. He tries to express an inner psychological attitude towards reality rather than incident is a priority. A number of the author's stories are characterized by a desire to uncover such aspects of the human psyche. At the same time, the author enriches the narrative with a variety of scenes, depicting the processes taking place in the spirit of the hero. In order to broaden the story, the story was compared with the story of Uzbek writer Nazar Eshanqul's “The man who led the monkey”.
The article analyzes the philosophical and didactic work of the scientist Yusuf Khass Hadjib Balasaguni, who lived in the X1-XN centuries, "Kutadgu Bilig" ("Blessed knowledge") and the moral and spiritual views contained therein. The first major monument of Turkic written literature, the work "Kutadgu bilig", which is a kind of manifestation of the didactic philosophy of the Turkic peoples, contains detailed information on the advanced socio-political, spiritual and moral issues of its time, history, culture, science, traditions and foundations of the Turkic peoples, lifestyle, values. The themes of this work are very comprehensive and the issues of man in particular, his social essence, thinking, morality are described through artistic images, poetic proverbs and sayings. The modern meaning of the thinker's views on speech and language etiquette is manifested through symbols, signs and symbols and coverage of such issues as man and faith, man and society, man and duty.
The article describes the poetry of the poet Muhammad Zuhayri, known for his unique creative heritage in the Iranian poetry of the new era. In addition to being in the direction of "poem" and "new poem", the poems of Zohariya are unique and colorful, they are close to the work of such creators as Nodirpur, Kasroyi and Umida. Muhammad Zuhari is one of the followers of the founder of the" new poetry", Nimo Yushizh. The poet brought new images to Iranian poetry, enriched his poems with aesthetic pleasure, musical accompaniment of words, refined images of a transparent crystal with a description that does not touch anything. In this regard, the analysis of the poems of Muhammad Zuhari, who was creative in the direction of "new poetry", the study of poetry, indicates the relevance of the article. A lonely bird, a tree and similar images that are waiting for spring in the creative baggage of M. Zuhari can be found in the works of other poets. The analysis of the subject system of images in the poetry of Muhammad Zuhari defines the goals and objectives of the article. The object of the article is the poetry of Muhammad Zuhari, and the subject of the work is the system of images in the poet's poetry. In the poetry of M. Zuhari, great practical importance is attached to the understanding of the poet's skill by studying the diversity of images, the versatility of the poet's poetic skill in the interpretation of images.
The second half of the twentieth century is remarkable for the development of memoir literature and the significant interest in it of both readers and literary critics, because of increasing in the self-consciousness of a human being who realizes his close connection with history. The study of the development of memoir literature from the point of view of the history of individual art forms, the analysis of the genre and poetic specificity of works opens up wide opportunities for understanding the general trends and evolution of memoiristics as a whole. This article makes an attempt to trace the historical stages of the origin and development of Hindi memoir literature and determine in it the place of the outstanding Hindi writer Vishnu Prabhakar who through the prism of artistic perception in his memoir works depicts the era of his time by subjectively understanding the changes taking place not only in the structure of Indian society but also in its mind.
Landey is the most popular type of verbal lyric poetry of Afghan (Pashtun) people. This type of poem is so widespread among the people that it is impossible to imagine Pashtuns folklore without it. This two-dimensional rhythmic poem is known for its incredible shortness of expression, although it is well-known for its ability to express certain ideas and experiences in bright, magnificent artistic lines. The term “landey” is derived from pashtu (pashto, pakhta) word " ﺪﻨﻟ " ("land") with the meaning "short, small poetry". Landeys are anonymous and have their own poetry composition, composed of two unconformable compositions, but also preserved their originality in describing a wide range of topics, events, and lifestyle. Landey, as an example of collective work of the public, is often created by the fact, without any training, but at the same time comes from the bottom the heart, describes the beauty of the human’s heart, spreads rapidly among the public and is considered national value of Pashtun people. No other type of genre of folklore is popular and extensively used by ordinary people like landey. It is difficult to determine the total number of landeys spread among the Pashtuns. A great part of them has been written down and published by today. However, according to researchers, there are tens of thousands of such poetic miniatures in the memory of the people. More than 7,000 landeys in the "Pashto Songs", which have a relatively large collection of Landeys, have been collected. They are often the result of the art of expressive art (expromt) during singing. Sometimes it is formed during the confrontation between the two interlocutors or groups, when two loved persons talk about their emotions or when their perceptions are expressed in the song.
Hazrat Alisher Navoi's works are the pinnacle of the nation's artistic and aesthetic thinking. It is difficult to find a thinker who has reached such a high level of creative perfection in the literature of Uzbek or other Turkic peoples, or even in world literature. That is why there is no poet or writer among his successors who did not learn from Hazrat Navoi's art studio. But there are not many artists who perfected and developed the poetic traditions of the great poet, even if it was through specific poetic images or symbols. The lyrics of Furqat son of Zakirjon Khalmuhammad are of special importance as they are included in the list of such unique creations.