В уставе Всемирной организации здравоохранения (ВОЗ) говорится о высшем уровне здоровья как одно из основных прав человека. Весь образ жизни человека, а особенно студента-медика и врача, должен постоянно напоминать ему об ответственности за свое здоровье и здоровье окружающих. Образ жизни – культура питания, движение, профессия, использование свободного времени, творчество. Здоровье современного человека на 70% зависит от образа жизни. При этом здоровый образ жизни определяет не только отсутствие заболеваний, но и оптимальное функционирование всех органов и систем, в том числе полости рта. Образ жизни влияет на духовное и физическое здоровье, укрепляя или разрушая его, продлевая или укорачивая жизнь.
В уставе Всемирной организации здравоохранения (ВОЗ) говорится о высшем уровне здоровья как одно из основных прав человека. Весь образ жизни человека, а особенно студента-медика и врача, должен постоянно напоминать ему об ответственности за свое здоровье и здоровье окружающих. Образ жизни – культура питания, движение, профессия, использование свободного времени, творчество. Здоровье современного человека на 70% зависит от образа жизни. При этом здоровый образ жизни определяет не только отсутствие заболеваний, но и оптимальное функционирование всех органов и систем, в том числе полости рта. Образ жизни влияет на духовное и физическое здоровье, укрепляя или разрушая его, продлевая или укорачивая жизнь.
The innovative component of the article lies in an in-depth study of the classification, description and functional analysis of the image of “Peri” in the Avesta. Peri qualifies in the Avesta a deceptive image that distracts a person from his true faith. Interestingly, the article substantiates the character of the peri, with its simultaneous ability to appear in front of a person in bodily, often in the guise of a beautiful girl. Details of cases of marriage of peri with the heroes of stories are given. All this is given in the article as “positive” image properties. However, the essence of the negative properties of peri is convincingly revealed. It is argued that the image of the Peri is one of the forms of manifestation of the source of all the evils of Ahriman. On specific examples, the facts of the use of images of evil peri in magic acts, forms and fortune telling with the aim of influencing the psyche of people are revealed.
Historical and cultural issues dominate in modern research. While purely literary issues receive insufficient attention. However, it should be noted that until now the image of the character beloved by the people - the image of the rogue -ayyar has not been studied at all, just as the world of human of the literature of the Arab middle ages as a whole has not been studied. No attempt was made to determine its national and epochal features. One of the characteristic features of laughter in syrah is focus on the laughing man himself. Laughing most often laughs at himself, at this conclusions and failures, the heroes of sirah - the epigones of the main character – surprisingly combine the features of an ordinary person, not shining with beauty, not educated, end ideal, heroic features. He is brave and courageous, faithful to friends and generous with enemies, resourceful, smart, tireless and noble in spirit. The characteristic features of other medieval works, such as rogue romance or the rogue novel, are vivid depiction of the life of various layers of urban society of that time, a small number of fantastic elements that are so rich, an ironic attitude to the image, bordering on cynicism, and the associated denial of didactics. In the rogue novel there is no place for meekness and patience, dexterity, as well as cunning, assertiveness and strength, are considered virtue. The true hero here is the in who manages to play the most deft joke with the opponent, outsmart himself. Roguish literature played a large role is the development of Arabic narrative prose, which received new opportunities by expanding thematic and artistic boundaries the combination of elements of humor, science fiction and caricature, parody-satirical and fantastic - utopian tendencies made it possible to correlate the ayyar narratives with the global tradition of folk culture.
The article comprehensively covers the life and work of the Afghan classical poet Abdurrahman Momand (Rahman Baba). Along with presenting the opinions of literary scholars on the essence of his poetry and the place of his works in the history of Afghan literature, it highlights the content and artistic features of his poetry using specific examples. The article also highlights the question of his attitude to Sufism, the poet's views on the reality of his time, and reveals the essence of humanism and national character expressed in his poetry. The scientific significance of this article is determined by the fact that for the first time in the Oriental studies of Uzbekistan, the life and literary works of the poet are presented in the broadest possible way, and conclusions about the essence of his poetry are made on the basis of a direct analysis of his poems. Keywords and phrases: creative process, myth, mythology, folklore, myth, mythology, mythological current, intertextuality, mythological image.
In the article, the system of images in A. Oripov’s works created abroad, the stage of their renewal, and theoretical classification are im - plemented. Based on the classification of images, the changes in them, their role in expressing the experience are analyzed. Poems are divided into groups according to the years, and the mood of thinking in them is determined. The poet’s ability to use images and ways of expressing lyrical experience are discussed in topics such as motherland, woman, and youth. The art of poems in 8 categories created abroad will be compared. The ways of reflecting the poet’s experiences are defined in them, and the poems are classified in terms of space and time. A comparative analysis of human, animal, geographical space, detailed images is carried out, and the poet’s artistic skill in creating these images is studied. The problem of the reflection of lyrical experience in the system of images of the poems created during the trip abroad is highlighted.
In the literature, in the process of a new creative approach to the mythological image, the plot, of course, lies the religious worldview and the oral tradition of the people. In the literary process, the creative approach to myths has been unique in each period. In modern Arabic prose (the second half and the end of the twentieth century), especially in storytelling, new artistic researches have emerged in mythological images and plots, legends from religious sacred sources, and creative approaches to stories about the lives of prophets. In Egyptian literature, this trend is also called " رايت ةيروطسلأا " "mythological current". In the stories of this story, fantastic, mysterious, strange elements are included in the text of the work and blend with the real reality. In modern Arabic literature, Najib Mahfouz, Yusuf Idris, Diya al Sharqavi, George Salim, Munir Uteiba, Zakaria Tamer, Abdurahman Majid ar-Rubeyi, Muhammad Shalan, Ibrahim Aslan, and a number of other writers have written mythological and religious references to books. As a result, they created their own works with a unique style. In this article, the Egyptian writer Munir Uteiba's story "Warning" is characterized by its intertextuality, which uses the ancient myths of the Indian people to reveal the modern image of man, its moral and spiritual flaws and flaws. Keywords and phrases: creative process, myth, mythology, folklore, myth, mythology, mythological current, intertextuality, mythological image.
The article describes the poetry of the poet Muhammad Zuhayri, known for his unique creative heritage in the Iranian poetry of the new era. In addition to being in the direction of "poem" and "new poem", the poems of Zohariya are unique and colorful, they are close to the work of such creators as Nodirpur, Kasroyi and Umida. Muhammad Zuhari is one of the followers of the founder of the" new poetry", Nimo Yushizh. The poet brought new images to Iranian poetry, enriched his poems with aesthetic pleasure, musical accompaniment of words, refined images of a transparent crystal with a description that does not touch anything. In this regard, the analysis of the poems of Muhammad Zuhari, who was creative in the direction of "new poetry", the study of poetry, indicates the relevance of the article. A lonely bird, a tree and similar images that are waiting for spring in the creative baggage of M. Zuhari can be found in the works of other poets. The analysis of the subject system of images in the poetry of Muhammad Zuhari defines the goals and objectives of the article. The object of the article is the poetry of Muhammad Zuhari, and the subject of the work is the system of images in the poet's poetry. In the poetry of M. Zuhari, great practical importance is attached to the understanding of the poet's skill by studying the diversity of images, the versatility of the poet's poetic skill in the interpretation of images.
The article analyzes the image of the folk spirit in the poetry of Erkin Vakhidov. In the poet's lyrics, the image of the people's soul is explored on the basis of artistic images and symbols, such as the moon, star, lantern, dishes, love for the native language, an attribute of the Motherland, interpretation of national values, such as the ability to do good even evil, characteristic of Uzbeks, as well as artistic expression of thought.