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IT IS RELATED TO THE LIFE OF THE UZBEK PEOPLE ANALYSIS OF
PROVERBS OF THE MUSICAL PROFESSION
Bobojonova Dilnoza Okhunjonovna
Asian International University Teacher of the "History and Philology" department
bobojonovadilnozaoxunjonovna@oxu.uz
Abstract.
Our people dreamed that their generation would inherit the most
exemplary qualities in the history of mankind, and it is still the case. This supreme
desire has found its bright expression in the priceless masterpieces of our people
such as proverbs and riddles, legends and narratives, anecdotes and praises, folk
songs, thermals, fairy tales and epics, askiya and allala. It can be said without
hesitation that all the virtues, philosophy, outlook of our people, attitude to various
life situations are reflected in Uzbek folk proverbs. Motherland and patriotism, hard
work, honesty, correctness, kindness, justice and fairness, friendship, peace, courage
and bravery, wisdom, science, education and custom, manners, hospitality, proverbs
about beauty, humility, happiness and luck, patience, love, family and
neighborhood, hope and trust, freedom and freedom, honor, pride, sincerity, value
of time and opportunity, youth and old age this is one of them.
Key words:
proverb, blacksmithing, mill, textile, pottery, blacksmithing,
coppersmithing, jewelry, glassmaking and carpentry...
ЭТО СВЯЗАННО С ЖИЗНЬЮ УЗБЕКСКОГО НАРОДА АНАЛИЗ
ПОСЛОВИЙ МУЗЫКАЛЬНОЙ ПРОФЕССИИ
Абстрактный.
Наш народ мечтал, чтобы его поколение унаследовало
самые образцовые качества в истории человечества, и это происходит до сих
пор. Это высшее стремление нашло свое яркое выражение в бесценных
произведениях нашего народа, таких как пословицы и загадки, легенды и
повествования, анекдоты и хвалебные речи, народные песни, термы, сказки и
былины, аския и аллала. Можно без колебаний сказать, что в узбекских
народных пословицах отражены все добродетели, философия, мировоззрение
нашего народа, отношение к различным жизненным ситуациям. Родина и
патриотизм, трудолюбие, честность, правильность, доброта, справедливость и
справедливость, дружба, мир, мужество и отвага, мудрость, наука,
образование и обычаи, манеры, гостеприимство, пословицы о красоте,
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смирение, счастье и удача, терпение, любовь , семья и соседство, надежда и
доверие, свобода и свобода, честь, гордость, искренность, ценность времени и
возможностей, молодость и старость — это одно из них.
Ключевые слова
: пословица, кузнечное дело, мельница, текстильное
дело, гончарное дело, кузнечное дело, медное дело, ювелирное дело,
стекольное и столярное дело.
U O'ZBEK XALQI HAYOTI BILAN MUSIQA KASBIDAGI
MAKOLLARNI TAHLIL QILISH.
Abstrakt.
Xalqimiz o‘z avlodiga insoniyat tarixidagi eng ibratli fazilatlarni
meros qilib olishini orzu qilgan va hozir ham shunday. Bu oliy orzu xalqimizning
maqol va topishmoqlar, rivoyat va rivoyatlar, latifalar va maqtovlar, xalq
qo‘shiqlari, termalar, ertak va dostonlar, askiya va alla kabi bebaho durdona
asarlarida o‘zining yorqin ifodasini topgan. Hech ikkilanmay aytish mumkinki,
xalqimizning barcha ezgu fazilatlari, falsafasi, dunyoqarashi, turli hayotiy
vaziyatlarga munosabati o‘zbek xalq maqollarida o‘z ifodasini topgan. Vatan va
vatanparvarlik, mehnatsevarlik, halollik, to'g'rilik, mehr-oqibat, adolat va insof,
do'stlik, tinchlik, mardlik va mardlik, donolik, ilm-fan, maorif va odat, odob,
mehmondo'stlik, go'zallik, kamtarlik, baxt va omad, sabr-toqat, sevgi haqida
maqollar. , oila va mahalla, umid va ishonch, erkinlik va erkinlik, or-nomus, g‘urur,
samimiyat, vaqt va imkoniyat qadri, yoshlik va qarilik shulardan biridir.
Kalit so‘zlar
: maqol, temirchilik, tegirmon, to‘qimachilik, kulolchilik,
temirchilik, misgarlik, zargarlik, shishasozlik va duradgorlik.
The Law of the Republic of Uzbekistan "On Education" and the "National
Personnel Training Program" of the Republic of Uzbekistan, adopted in 1997, in the
spiritual and moral education of the young generation, to the national, cultural,
historical traditions of the people It is emphasized that effective organizational and
pedagogical forms and tools based on traditions and universal values will be
developed and put into practice. Studying the oral poetic creativity of the Uzbek
people has an effective effect on the positive solution of these noble tasks. That is
why, as the honorable President noted, this task cannot be carried out without
educating our young professionals who are capable of taking responsibility for the
tomorrow and development of our country. So, it is difficult to imagine the future of
the people and the country without the values of our past. After all, "National
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ideology, first of all, must encompass the feelings of understanding our identity, our
sacred traditions, the noble dreams of our people formed over many centuries, the
highest goals and tasks set before our society." Because we must not forget that
ideology is a bridge between the past and the future. In this regard, masterpieces of
folk art serve as an important source for us.
The mirror of our people's centuries-old life experiences and household
lifestyle, the attitude of our people to life, nature, man, family and society, socio-
political, spiritual-educational, moral-aesthetic and philosophical views, which
reflect the identity and wisdom of our people. proverbs have been used in written
and oral literature since ancient times, and in spoken word, and still are.
Through the past of our people, we will have the opportunity to get to know
their customs and professions. After all, isn't every proverb that has passed through
years of experience, artistically perfected and turned into a set of wise words, an
invaluable textbook and the closest advisor for us?
Folk proverbs formed on the basis of music
1. What's gone from the trumpet, a puff.
2. If you are tired of the trumpet, put cotton in your ears.
3. A poor musician is a musician.
4. Undead singer, unmelted doorman.
5. Burned - will die, burned - laparchi.
6. You can't be good without a teacher, good if you are bad.
7. If you want to get rid of the trumpet, go to him and eat a pomegranate.
8. He who does not know how to play the trumpet has many tones.
9. Suygan is also a singer, and burnt is also a singer.
10. A loud shouter cannot be a singer.
11. At the age of forty, he turns his ear at the doomsday.
12. When a student sees a student, his hand trembles.
13. A trumpet player who is in trouble, a trumpeter who is in trouble.
14. There is a trumpet, there is no trumpet.
15. The drummer has a clean heart and a loud voice.
16. I used to be a drummer, now I'm a drummer.
17. Play according to the circle's tune.
18. Don't be afraid to sing, be afraid to be silent.
19. The one who did the work is the trumpeter, the one who got into trouble
is the trumpeter.
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20. The gatekeeper dies from the gallows, the sick man from the morgue.
21. A bird cannot do what a dog does.
A trumpet player who is in trouble, a trumpeter who is in trouble. The origin
of this proverb is related to the following story among the people: "In ancient times,
there was a trumpet player and a trumpeter. One day they were invited to the king's
wedding. With the honor of trumpets, the wedding took place in a cheerful and
festive mood. The king was very pleased with the service of the trumpet players and
ordered to give each of them as much gold as he could squeeze into his instrument.
When they were returning home after receiving the award, the trumpeter was angry
with his trumpet. "My friend, we both served at the wedding. Is that so? And the gift
was not equal: look at the gold that went to your trumpet, and look at the gold that
went to my trumpet! Let's put all the gold in the middle and share it equally. "Then
the trumpeter said to the trumpeter: Hey, brother, are we going to sit like that,
"father's house - courthouse"?! What's more - the king has a lot of wedding
receptions. This time it touched me more, next time you will play the trumpet and I
will play the trumpet - it will touch you more. Next time they will exchange their
musical instruments and play. The king noticed this. The sound of trumpets and
trumpets is blaring, there is a noise from the wedding, and everyone is making noise.
He was furious and ordered whoever played the instrument to beat the keta and pay
his dues. So, in both cases, the trumpeter was a poor loser. This proverb is used in
unfair cases where someone is at fault and someone else suffers.
If you say that you will get rid of the trumpet, go to him and eat a pomegranate,
as the trumpeter will make your ears stand up, break your peace and wear out your
patience, if you go to him and eat a pomegranate, his mouth will salivate and he will
not be able to blow his trumpet. The idea is to find a way to get rid of the person
who annoys you with this or that behavior, his rudeness, his sloppiness, and his
constant asking for this and that.
What's wrong with the Trumpet, in a puff proverb, when someone asks
someone to act as an intermediary between someone, to collect something from
someone, to persuade someone to do something: "This work is nothing for you",
"You can easily do this work" they use it in the sense of "you will get it".
There is a trumpet, there is no trumpet. If there is something, but there is no
other thing that needs to be used, it is used in a situation where it is not found.
As the saying goes, you can't be a singer with a shouter. In order to acquire
a profession, you need the talent and environment given by God. To become a singer,
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only the voice is lacking. If he knows how to shout, but does not have a juicy voice,
no one listens to the singing of such a singer, everyone avoids him.
At the age of 40, he turned his ear in the doomsday. The luck of the job is
that it is done on time. Knowledge, profession should be acquired at a young age.
For this reason, parents give their children to be apprenticed to a wise teacher from
a young age and try to find their own way in the future. As people get older, they
don't have the same enthusiasm, memory, and stamina as before. It takes time and
talent to master the profession. It is said that if you want to build your future
perfectly, do everything while you are young.
The world of proverbs and idioms is a "fertile field" for the research of
experts in various fields - paremiologists, linguists, literary experts, folklorists,
ethnographers. This is a natural situation, because despite the fact that the proverb
is compact and simple in form, it can be considered from different research points
of view. Proverbs, as a semantically and structurally complete text, attracts the
attention of text linguistics, which is a very popular field of linguistics. Different
proverbs in the same language, even in languages that are close to each other and
not related to each other at all, can belong to a single logical type and show the same
sign. Therefore, they are directly related to logical semantics and semiotics.
Proverbs are sentences that are considered a specific syntactic unit from a
grammatical point of view. Therefore, the formal structure of the proverb as a
syntactic unit should be studied in grammar. The comprehensive study of proverbs,
especially from the point of view of content, is directly related to the fields of science
such as cultural studies, ethnolinguistics and ethnography. Culture is usually passed
from one generation to another through language. In the early stages of social
development, this was done in an oral form, including through folk art, in particular,
proverbs, which are one of the most prominent genres of such art.
Researchers define a proverb as follows: "A proverb is a short, well-
established, rhythmically organized figurative speech that can be used in many ways
according to the principle of alternation in speech. Signs and symptoms in this
definition are brevity, stagnation, rhythm, ambiguity, etc. It is also emphasized that
proverbs summarize the socio-historical and life experiences of the people. In their
opinion, the uniqueness of the proverb as a genre becomes clearer if its historical
origin is analyzed as a unique phenomenon of the people's life, language and art.
The first proverbs appeared in ancient times. The origins of proverbs are hidden in
their content. Most of the proverbs enter the field of production relations and
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customs between people and become an integral part of this field. The poetic
expression of thought in proverbs is an artistic form of reality. Unlike a proverb, a
proverb is a generally accepted figurative expression that exists in speech for
emotional evaluation and is used according to the principle of alternative to a number
of similar life events. If the proverb reinforces the speech with a separate content, a
new whole conclusion, then the proverb is included as a complete thought
(sentence), a complete part of the conclusion.
In the last 30 years of the 20th century, a new structural-semantic approach
to the analysis of proverbs appeared. This is related to the development of the fields
of text linguistics and paremiology. One of the founders of scientific paremiology is
G.L. Permyakov. According to him, figurative sentences that form "complete
thought" are called proverbs. G.L. Permyakov (printed clichés) also examines
proverbs within the framework of his theory. The vocabulary of each language has
its own complex patterns (clichés), that is, there are stable, ready-made, indivisible
idioms used in speech.
Phraseologisms are a type of paremias and have a symbolic character. But
they are fundamentally different from proverbs and sayings. "Phraseologisms, as
signs of things, are fundamentally different from proverbs and proverbs, which are
signs of situations or signs of relationships between things." After N.M. Shansky,
some scientists emphasized that: Phraseological combinations, which are considered
stable expressions, consist of words with free meaning, that is, they are distinguished
by the feature of semantic division. This group of phraseologisms also includes lofty
expressions, proverbs, proverbs.
There were linguists who called such combinations "phraseologized"
turns. Aristotle, the great philosopher of his time and subsequent centuries, the great
philosopher of the 4th century BC, said: "Wisdom is the science of some causes and
beginnings. Wisdom can be called divine from the point of view of justice, and
therefore wisdom is, first of all, like a god.
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