This article is devoted to Fatima Yusuf Ali’s works which were mainly about women’s moral condition, she was a talented poet who has a significant role in Contemporary Literature of Kuwait. The article explains the literary and methodological skills of the writer by analyzing some of the author’s stories from the “Ta Marbuta”collection. Whatever the subject, the poet choses, she mainly praised the social condition of the Arab women and her role in society and family. In the process of familiarzing with the stories, we realize the author’s primary goal to improve women’s lives and their status. Actually, the women is a subtle character at the same time women owner of huge patience and stamina, and poet tired to image that qualities. While the stories are rhythmically organized, it is dominated by a variety of literal-methodological tools, image systems, narrative skills, and psychology of female personality. Also, the significance of the main characters in the stories is revealed through their own speech, by their monologue, and by portrait characterization. And by personalizing the individual’s speech, it provides information about his personality, point of view, and spirit. Rotating the storyteller to characters speech, the dialogues being transcribed in Arabic, these all are poet’s literary skill. The writer pays particular attention events in his stories to be close to real life and corresponding the truth, also the writer tried to reflect national colors from Kuwait people. Fatima Yusuf Ali interpreted her stories metaphorically, for creating original landscape, she used her talents, independence, originality, and creativity, resulting in she possessed her own voice, style, and skills in the literature of Kuwait.
This article deals with examining research into the concept of “gratitude” using the example of English and Karakalpak languages, and also examines the lexicophraseological meaning in both languages and compares the characteristics of the perception of the concept by representatives of various communicational situations.
This thesis is about an extensive examination of apology expressions in Karakalpak and English languages, employing an interlanguage pragmatic and second language acquisition perspective. The study explores lexico-phraseological nuances, comparing how individuals from diverse communicational situations perceive and express apologies. The analysis highlights the cultural and pragmatic parameters shaping the speech genre of apologies, shedding light on the interplay between social dynamics and linguistic cues.
This article describes the theoretical issues of determining and evaluating marketing effectiveness, a review of approaches to determining and evaluating marketing
effectiveness, the methodology proposed by the author.
The article notes that the development of modern prose in Qatar fits well with the concept of "accelerated development of literature." Thanks to technological progress during the rapid economic growth of the Gulf countries – Kuwait, Bahrain, Qatar, the United Arab Emirates and Oman, the Arabic-speaking countries of Khaleej (Gulf) quickly became acquainted with world culture and the world literary process, primarily with the literary experience of culturally developed Arab countries such as Egypt, Syria, Lebanon and Iraq. The author of the article, using the example of the short story genre, traces the stages of its development from descriptive short stories with weak conflicts and a naive plot with an edifying and didactic tendency to mature short stories that fit into the concept of a modern short story. In the literary arena of the 70s of the XX century such masters of the word as Ibrahim Sucr al-Marikhi, Kulsum Jaber, Fatima al-Turki and others appeared who made a great contribution to improving the short story genre in Qatar and first addressed the important problems of contemporary reality. One of such important problems, according to the author, is the problem of the emancipation of a Qatari woman - her right to have her own voice, get an education, and choose a profession. In its spasmodic development, the Qatari short story was also influenced by the modernist tendency due to acquaintance with Western literature. Short stories appeared that are distinguished by psychologism, the non-uniformity of the characters depicted, and a special attitude. Writers often using modernist techniques — a stream of consciousness, associative thinking, subtext, etc. — convey the emotional crisis of their hero, his painful spiritual quest. By the beginning of the XXI century, new bold young people who had joined the Qatari literature, caused the evolution of socio-ethical short stories to action-packed short stories, which raised social problems that were still hushed up.