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This article provides information about the owners of the Timurid poetrys whose names are mentioned in “Majalis un-nafais”. Including, Shah Garib Mirza, Khalil Sultan, Sayyid Ahmad Mirza, Sultan Mas’ud Mirza, who created a beautiful literary atmosphere of their time and set an example for others, patrons of science those who are able to create in various genres and weights of classical literature as creators are the confirmation of our opinion. In addition, studying the subject of poetry of artists is one of the responsible tasks facing our science. Study of devan of artists known to science and applying the unknown to science is also essential factor of literature.

Usman Nasir’s work has been studied on a scientific basis since the beginning of the 30s, and his works were included in educational programs and textbooks of the literary complex. In the following years, the study and research of the poet’s life and work increased. Literary works have been published several times. A number of scientific articles and books were created. In this field, we can mention the scientific researches of literary scholars Naim Karimov, Abubakir Rajabi, Ibrahim Gafurov, O’tkir Rashid, the poet’s niece Nodira Rashidova. In his book dedicated to Usman Nasir, A.Rajabi covered the poet’s life and creative activity for the first time. The article examines which aspects of the poet’s life and work have been stud-ied by literary scholars.

“Temurnoma” is a work of folklore that interprets the image of Sahibkiran in folklore. In this regard, along with historical images, which are interpreted by folklore, textual images also play an important role in the characterization of Amir Temur. In “Temurnoma” the image of Sahibkiran and various historical and tissue images are used in parallel with the image of Amir Temur, who played an important role in illuminating his character. One hundred and forty-three characters took part in the play. These images unite around the image of Amir Temur and play an important role in illuminating the character of Sahibkiran. In this study, such images described
in “Temurnoma” were classified as historical and textual images from a historical point of view.
The depiction of some non-historical fabricated images in the work is the basis for evaluating it as an epic work dedicated to the interpretation of the image of Sahibkiran in the imagination of the people. The depiction of historical figures who were contemporaries of Amir Temur in the war,
but did not meet him in real life, is based on the fact that the ideal of the ethnos was accompanied by people close to him. While the main images
form the core of the plot, the auxiliary images play a supporting role in the interpretation of the image of Sahibkiran. Episodic images participate as a peripheral element in the system. The “Temurnoma” also contains folklore-inspired fairy-tale textual images, indicating that the work is based on pure folklore.

The article talks about the history of the study of the «Alpomish» epic. Also, the versions of this saga recorded from various folk traditions, their common and unique aspects were studied. The version of this epic recorded by the son of Fazil Yuldosh, a famous epic poet and representative of Bulungur epic school, which is the most perfect and artistically perfect copy, therefore, this copy is the basis of many studies on the epic. Opinions have been expressed. The article also analyzes the research of the famous Russian scientist V.M. Zhirmunsky on this poem. The work carried
out on the “Alpomish” poem was investigated in three directions. In the first stage, information is given about the process of recording the epic from the folk dances, when, from which dance, by whom it was recorded, if the recorded copy was published, by whom was it prepared for publication, if it was not published, in which treasure is the manuscript kept.

In the monograph, based on a handwritten and lithographic source, a scientific monographic description of the manuscripts of the poet's poems is carried out. Muthrib's poems have been analyzed comparatively and textually, and his lyrical works have been studied in the field of text history, editing and interpretation, and theoretical issues. Reliable texts of the artist's lyrical poems have been restored on the basis of primary sources. The monograph is intended for scientists, researchers and philologists who are interested in textual criticism and literary criticism, Uzbek classical and national Renaissance literature.

In the textual studies of the peoples of the world, attention to the study of national literary heritage based on primary sources is growing stronger than ever. The study of manuscript sources makes it possible to restore the texts of the works of a poet or writer in accordance with the original (at least close to it), regardless of the period in which they lived. Without restoring a reliable text, the poet's work cannot be analyzed in terms of theoretical problems of literary studies. In world textology, research is being conducted on such scientific problems as comparative analysis of manuscript sources, creating a scientific biography of the creator, and studying the history of the text of an artistic work. Among them, a great deal of experience, knowledge and material has been collected within the framework of studying the sources of Eastern manuscripts spread throughout the world's libraries, including the works of Alisher Navoi and Babur, great figures of Turkish literature. Extensive research is the basis for the creation of the theoretical foundations of textual studies. Uzbek textology has progressed on the basis of existing scientific experiences and has achieved certain results in the study of classic literary sources. Researching the literary heritage of authors who have left a bright mark in the history of national literature, studying manuscript and lithographic sources based on the latest scientific achievements is one of the primary tasks of source studies and textual studies. After all, "...studying and promoting Uzbek classic and modern literature at the international level, analyzing this multifaceted topic in integral connection with the most important processes taking place in the world's literary space today, creating the necessary scientific - drawing practical conclusions is of great importance..." 1 . Accordingly, it becomes clear that it is urgent to carry out a scientific monographic study of the sources of the lyric divan of Khorezm literary environment representative Mutrib Khonakharob (1853-1923), study the textual history of the poet's works, and develop the principles of preparing a scientific and critical text. The study of Mutrib's work began during the poet's lifetime. Tabibiy recognizes the achievements of the poet in poetry and music in the collections "Majmuat ush-shuaroyi payravi Feruzshahi" and "Majmuat mukhammasot ush-shuaroyi Feruzshahi". "Biographies of poets and writers of Khiva" by Hasanmurad Laffasi, "Poets and singers of Khorezm" by Bobojon Tarroh, "Tazkirayi Qayyumiy" by Polatjon Qayyumiy also provide valuable information about the poet's work. O. Sharafiddinov, M. Yunusov, N.M. Mallayev, Yu. Yusupov, M. Pirnazarov, A. Abdugafurov published articles. These articles cover the biography of the poet, the ideological scope and artistry of his works, thematic and genre features of his literary heritage. But in most of them, the poet's works were interpreted under the influence of communist ideology. M. Pirnazarov studied manuscript and lithographic sources of Mutrib's lyrical heritage, subject scope, genre features, and artistic skills. Although this research provided valuable information for its time, problems such as creating a scientific biography of the poet, researching the author's works in the field of theoretical problems of textual studies, and creating a scientific-critical text are still waiting to be solved. In studying the poet's literary heritage, the book "Mutrib Khonaharobi (Ref. Collection)" is noteworthy. However, besides the fact that the text of these poems is not complete, there are also errors in the reading of words. In this tutorial, the manuscripts numbered 906/VII, 903/IV, 2679/II of the Department of Muhammad Hasan Mutrib kept in the main and H. Sulayman funds of the Academy of Sciences of the Republic of Uzbekistan, as well as Turkish manuscripts in bayoz, complex and tazkira poems, information about the poems in manuscript bayoz kept in Khiva Ichonqala Muhammad Rahimkhan Feruz II Museum.

Relevance and necessity of the dissertation topic. In the textual studies of the peoples of the world, attention to the study of national literary heritage based on primary sources is growing stronger than ever. The study of manuscript sources, regardless of the era in which they lived, allows to restore the texts of the works of a poet or writer according to the original (at least close to it). Without restoring a reliable text, the poet's work cannot be analyzed in terms of theoretical problems of literary studies. In world textology, research is being conducted on scientific problems such as comparative analysis of manuscript sources, creating a scientific biography of the creator, studying the history of the text of an artistic work. Among them, a great deal of experience, knowledge and material was collected in the framework of studying the sources of Eastern manuscripts scattered throughout the world's libraries, including the works of Alisher Navoi and Babur, great figures of Turkish literature. Extensive research is the basis for the creation of the theoretical foundations of textual studies. Uzbek textology is progressing on the basis of existing scientific experiences and has achieved and is achieving certain results in the study of classic literary sources. Researching the literary heritage of creators who left a bright mark in the history of national literature based on the original, studying manuscript and lithographic sources based on the latest scientific achievements is one of the priority tasks of source studies and textual studies. Because "... it is of great importance to study and promote Uzbek classic and modern literature at the international level, to analyze this multifaceted topic in integral connection with the most important processes taking place in the world literary space today, and to draw the necessary scientific and practical conclusions" 1 . Accordingly, it becomes clear that it is urgent to carry out a scientific-monographic study of the sources of the lyric book of Khorezm's representative Mutrib Khonakharob (1853-1923), to study the textual history of the poet's works, and to develop the principles of preparing a scientific-critical text. Decree of the President of the Republic of Uzbekistan No. PQ-4797 of May 13, 2016 "On the establishment of the Tashkent State University of Uzbek Language and Literature named after Alisher Navoi", No. PQ-2995 of May 24, 2017 "System of preservation, research and promotion of ancient written sources" the decision of the President of the Republic of Uzbekistan dated February 17, 2017 No. PQ-2789 "On measures to further improve the activities of the Academy of Sciences, the organization, management and financing of scientific research" and other related to this activity This thesis research serves to a certain extent in the implementation of the tasks defined in the regulatory and legal documents.

Қамчибек Кенжанинг “Балиқ ови” ҳикояси ўзбек адабиётидаги энг яхши ҳикоялар юзталигига киритилган. Мазкур ҳикоя инсоннинг ўз фарзандлари соғлиги учун нақадар масъул эканлиги ҳақида. Ёш авлод саломатлиги эса ҳар доим долзарб бўлиб қолади.

Жаҳон адабиёти тараққиёти, ҳар бир халқ тарихида, ижтимоий ва маданий ҳаётида ўзиниг сезиларли муҳим из қолдирган улкан санъаткорлардан бири Бердақдир. Унинг асарлари халқ дарди, орзу-умидларига ҳамдард ва ҳамнафас бўлгани учун ҳам умри боқийдир.

Ижтимоий ҳаёти ниҳоят даражада ёмонлашган давр эди. Ўша пайтларда солиқлар тўхтовсиз оширилиб борган, тенгсизлик ҳукм сурган, аёлларнинг ҳақ-ҳуқуқлари оёқ ости қилинган эди. Мана шундай оғир шароитда яшаб ижод этган қорақалпоқ адабиётининг асосчиси шоир Бердақ Қарғабой ўғли бу адолатсизликларни кўриб, чидаб тура олмади. Ўзининг қатор достон ва шеърларида халқ бошига азоб-уқубатлар ёғдираётган мана шундай золимларни танқид остига олди. Шоир ҳажв ва кулги орқали ижтимоий тузумдан ўзига хос тарзда ўч олиб, меҳнаткашларни эзган шахсларни эл-юрт олдида масхара қилади ва уларнинг маънан тубан қиёфаларини “кўзгу” каби аск эттиради.

The article analyzes the contribution to the development of spiritual culture of the educator Mahmudhoja Behbudi, who was one of the outstanding leaders of the national revival movement that emerged in Turkestan in the XX century, who played an important role in awakening the public consciousness of the Uzbek people at that time. Possessing a broad outlook and deep knowledge, he has always opposed conservatism and ignorance and in his works called for the correct understanding and interpretation of the Islamic religion. His goal was to enlighten the people and bring them to the level of highly developed peoples of the world, to build an advanced society in all respects, a state based on the unshakable principles of humanism and democracy. In the legacy of Mahmudhoja Behbudi, attention is paid to highlighting the issues of science, morality, the influence of art on the spiritual culture of youth, on the understanding of national identity. In satya, the modern meaning of Behbudi's work is investigated.

It is becoming more and more clear that the effectiveness of social reforms implemented in our country depends on a person, his worldview, spiritual image. Indeed, "When a person changes, society changes" [1,39]. Therefore, human philosophy, human, his unique quality and limitlessness of possibilities, creative activity, at the same time individualism, egoism (selfishness), self-interest, views that human nature also has important points where the same interests of mankind are shared will never lose their relevance.

In the early religious ideas, a specific interpretation of the nature surrounding man, the laws of his appearance and development, was given. In the works of Chingiz Aitmatov, the unity of man and nature is expressed in folk philosophy and in the means of universal values. Through animalistic images, the writer tries to immerse in the imagination of every person deep knowledge about the world of animals and plants, teaches that without the world of plants and animals, a person can not live, nature is not created only for people, but also to respect it as a universal independent value outside of society.

The article analyzes the philosophical and didactic work of the scientist Yusuf Khass Hadjib Balasaguni, who lived in the X1-XN centuries, "Kutadgu Bilig" ("Blessed knowledge") and the moral and spiritual views contained therein. The first major monument of Turkic written literature, the work "Kutadgu bilig", which is a kind of manifestation of the didactic philosophy of the Turkic peoples, contains detailed information on the advanced socio-political, spiritual and moral issues of its time, history, culture, science, traditions and foundations of the Turkic peoples, lifestyle, values. The themes of this work are very comprehensive and the issues of man in particular, his social essence, thinking, morality are described through artistic images, poetic proverbs and sayings. The modern meaning of the thinker's views on speech and language etiquette is manifested through symbols, signs and symbols and coverage of such issues as man and faith, man and society, man and duty.

 This article analyzes the works of the Chinese writer Lao She “Catcountry”. The author examines the factors that cause the degradation of Chinese culture and its figurative interpretation through a work of art.The novel satirically describes the current events in the city of cats. Lao She shows the negative circumstances in Chinese culture, spirituality, and enlightenment. The article says that the novel is also significant from a modern point of view.

This article analyzes the role of aesthetics in the modern scientific space. Aesthetic consciousness and the artistic process, the possibilities of forming a person's aesthetic consciousness under the influence of art, the study of the synergetic properties of art are of great scientific and practical importance. Interpreting works of art, revealing their cultural and historical significance, we gain certain knowledge about a specific historical epoch, about cultural traditions and cultural universals, about the image of the world. Therefore, it is of both scientific and practical importance to study in art the long-standing traditions and the main provisions as well as the influence of modern philosophical methodology, scientific achievements, innovative technologies, creative methods. Aesthetics, as a philosophical science, develops measures of artistic criteria and applies them to practical activities.

This article analyzes the philosophical and aesthetic aspects of the work of the Uzbek writer and poet Askad Mukhtar. The essence of fiction, artistic creativity is revealed with the help of specific aphorisms of the writer. The connection between the philosophical views of Eastern and Western thinkers on artistic creativity is studied and the position of the writer is determined.

Хаялдын шанарак х.ам жэмийеттеги орны айрыкша болып, мэмлекеттин сиясий, социал-экономикалык хам мэдений рауажланыуында улеси Улкен- Солай екен, каракалпак халкы да, баска халыклар сыяклы хаял кызларды айрыкша хурмст стип. олардыц жэмийетлик орталыктагы орнын жокары бахалайды.

Хар бир халк узининг кундалик хаётида бир канча маросим ва урф одатларни бошидан утказади. Дна шундай маросимлар ичида никох туйлари, айникса совчилик анъаналари узининг маъсулиятли урф одатларига бойлиги билан бошка туй маросимларидан фаркланиб туради. Никох туйи бир нсча боскишлардан иборат булиб, улар ичида совчилик ва у билан боглик удумлар минтака узбекларининг идентиклигини, шунингдек локал хусусиятлари билан бошка вилоятларда истикомат киладиган узбеклардан ажралиб турадиган маданиятга эгалигини куришимиз мумкин.

Обряды семейного цикла относятся к числу наиболее важных тем, по изучению которых был проведён целый ряд научных изысканий. Обряды жизненного цикла, сопровождающие свадебные торжества, рождение детей и смерть, в разные времена становились объектами исследований.

Каракалпакларда кызлар тэрбиясы хам оларда жаслытынан баслап келинликке таярлау дэстурлери XX эсирдиц басына шекем патриархарлык иегизлер менен характерленеди. Каракалпакларда хаялдыц рауажланыуында «кызлык дэуири» жудэ улкен эхмийетке ийе болтан, себеби сол дэуирде хаял келешекте шацараклык турмыс ушын зэрур болган конликпслсрди алып, хожалыкты жургизиуди хэм айырым онсрлерди уйренген. Эсиресе, жас кызларды келинликке таярлауда жецгениц роли улкен болып, ол тууысканлар ишинде илимий жактан белгили бир «институт» бола алады.

Городской образ жизни имел свои особенности, отразившиеся на формах и особенностях бракосочетания. Подобные трансформации были вызваны рядом причин, прежде всего, интенсивной вовлеченностью в трудовой процесс, общественной деятельностью, широкими социальными связями.

Приметы и суеверия всегда играли существенную роль в истории человечества, возникая в различных сферах быта и деятельности. Многие из них научно обоснованы благодаря многолетним наблюдениям за окружающим миром и не вызывают сомнений в своей достоверности. У большинства народов эти поверья сохраняются как часть культурного наследия.

Каракалпак салт-дэстурлеринде баланын киндигин кескен хаялды "киндик шеше” деп атаган. Баланын киндигин ксстиргенде перзентлери бар, туудырыу тэжирийбесине ийе, «кол-аягы женил», ел ишинде абырайы бар, минези жаксы, копшиликке орнек болгандай хаялды тацлап коятугын болган. Перзентлери коп хаялды тацлауы бул босанган хаялдын да «перзенти коп болсын», «изи жалгансын» деп нийет етилген болса, скиншидсн, коп псрзснтли болган х,аял бала багыу тэжирийбесине ийе болады деп бил ген. Себеби, жаца босанган хаял озин тиклеймен дегенше киндик шеше ана менен балага караган. Халыктыц исепими бойынша, «баланын минези тогыз ай котерип журген анасына емес, тунгыш рет жерден котергсн киндик шешесине уксайды» деген тусиник болган. Дуньяга келген нэресте ен дэслеп киндик шешесин кереди хам киндик шешесинин барлык минези отеди екен (АДЖ 2023, № 1).

В современном мире нет такой сферы культуры, которая бы не подверглась влиянию глобализации. Не осталась в стороне и одна из наиболее консервативных сфер жизнедеятельности человека - культура питания. Под культурой питания в современных исследованиях понимается «совокупность явлений в жизнедеятельности человека, которые связаны с пищей и питанием (употреблением пищи) - наборы пищевых продуктов, способы их обработки, технологии приготовления блюд и кулинарных изделий, рецептуры, традиции пищевых предпочтений или пищевых ограничений и запретов, режим питания, формы организации трапез, застольный этикет и ритуалы» (Булатов, Сефербеков, 2018. С. 7).