В данной статье рассмотрены исследования концепта «красота» на примере русского, английского и каракалпакского языков и также рассмотрены концептуальный компонент данного понятия в трех языках и сравниваем особенности восприятия концепта ‘красота’ представителями различных лингвокультурных общностей.
В современной лингвистике исследование концептов является актуальном направлением, поскольку именно данный ракурс позволяет рассматривать слово в контексте культуры, познания и коммуникации. Мы можем увидеть, что сегодня в лингвистике рассматривается много концептов В данной статье рассматривается и различается структуры и типы концептов
The results of this study showed that the TOBOL questionnaire was conveniently applied to patients as a method of determining the adaptive characteristics of patients with Parkinson’s disease. This questionnaire is convenient in that it is clearly understood by the patient, the answers are easy to identify, and the adaptive features are fully and clearly disclosed. Patients in the study were divided into two groups according to the clinical type of Parkinson's disease (tremor and tremor-bradykinetic), and thus the adaptive characteristics of patients, i.e. the structure of the individual response to the disease, were studied. As a result, the maladaptive personality response to the disease, the same anxious typology, was established to match the tremor type of Parkinson's disease, and in most cases, the melancholic typology was found to be more common to the tremor-bradykinetic type. The results of the review will help in the development of guidelines for the subsequent medical-psychological care of patients with Parkinson's disease.
The article discusses one of the most important units of word formation, word-formation chain. The typology of the word-formation chain is analyzed on the example of the Russian and Uzbek languages. The most significant features of the contrast of the morphemic systems of the Russian and Uzbek languages are considered
Проблема ценностей приобретает все большую значимость в современном обществе, где господство технического производства приобретает доминирующий характер со своими не только позитивными, но и негативными последствиями.
This article discusses the specifics of the design solutions of the madrasah of the XVIII-XX centuries in the architectural context. The typology and variations of madrasas, which have been preserved and are also used in the construction of modern madrasahs, Islamic educational centers, the differences and features of the Bukhara, Khiva and Kokand architectural schools have been studied. Regularities of formation and development of local architectural schools are revealed. In particular, the article touches upon the issue of the influence of the historical, economic and political development of the region on the formation of local religious architecture in Uzbekistan.
This article is devoted to the question of the formation and transmission of ethnocultural meanings in an artistic text. The object of the article is culturally significant dominant senses, revealed on the basis of the analysis of a literary text. The subject of the article are ethnocultural meanings. And although the word in its totality conveys only a part of the concept or ethnocultural sense, it helps to restore or reconstruct the latter. The material for the article was the concepts in the novel Kawabata Yasunari “Thousand-winged Crane”. The purpose of the article is to present the identification of ethnocultural meanings based on the analysis of Kawabata Yasunari’s novel “The thousand-winged crane”. The main method of analysis of the material is an integrative method of analysis, as well as the methodology of conceptual analysis. This article discusses the traditions and innovations of the cultural life of the Japanese people on the material of the thousand-winged crane Kawabata Yasunari's novel. The problems associated with the tea ceremony in the system of Japanese national culture are investigated. Traces the values of Japanese society, its linguocultural conceptual sphere. The most striking in this case is the linguocultural concept “tea ceremony”, which implies the life ideals of the bearers of Japanese culture, both in the material and in the spiritual sense. It should be emphasized that every Japanese puts his meaning in this concept. “Ethnoconcept” - tea ceremony, kimono, symbolic rituals for Japanese culture are implemented in the Qawabata Yasunari novel “Thousand-winged Crane” as a composite basis, landscape background, national aesthetics in the novel. It is observed as a concept of "kimono" is a segment of the interpretational field of the concept of "tea ceremony" and incorporates the signs of the national seasonal culture. Kawabata Yasunari uses the tea ceremony not only to create national space and ritual, but as an opportunity to reveal the national character. Psychological, aesthetic and cultural traditions are analyzed, the basic principles of “tjado” are harmony, reverence, purity and tranquility, especially the organization of artistic time and space in the novel. On the background of the tea ceremony, images of Kikuzhi and Yukiko are revealed. Traced the art of detail in the novel. The thing, the interior is their independent compositional and semantic meaning.
The article deals with the new modern achievement of linguistics is the concept theory, “which are described by the method of phenomenological reductions from the concrete real to the abstract ideal, from the phenomenon (phenomenon) of the concept (conceptus) to the essence of the concept (conceptum). In the philological and conceptual analysis of the work of Russian poets and writers, taking into account concepts, their mental features helps to reveal new facets of the author's understanding of the nature of his people, his belonging to his spiritual wealth, and also to approach researchers more objectively to the concepts of "people's writer (poet)", "nationality in literature and art".