This article studies new information technologies, examines the features and rates of development of information technologies, as well as development prospects and examples of new information technologies. Information technology involves computer frameworks and other division that supervises and keeps up those PCs. While PCs are a basic instrument in a wide range of fields, importance of information technology are clear all through the world. The article emphasizes that IT relates to the study, configuration, and advancement of PC frameworks both equipment and programming which are utilized for getting, handling, and appropriating information. This field has been developing at a quick pace in the course of the most recent couple of years. Investing in PC equipment and also the IT experts to watch over them offers significant advantages to organizations
In this article, it was analyzed that the value of the word, the im-portance of poetry and the spiritual and educational function of literature are of great importance in the basis of the philosophy of Abdulla Aripov’s literary and aesthetic views. The trinity of poet, poem and words forms the basis of Abdulla Aripov’s literary- aesthetic views, in this article “Ehtiyoj farzandi” he distinguishes three strages of the poet’s creative formation, his thoughts on the trinity of poet, poem and wordsshow that Abdulla Ar-ipov’s literary aesthetic concept is based on high requirements. It was highlighted that it does not lose its importance in any age in terms of calling people of creativity to self-examination and constant search for creative perfection.
In this article, Abdulla Aripov’s literary and aesthetic views the role of folklore traditions is explored. The question of the impact of folk oral creativity on the rise of the artist’s artistic and aesthetic thinking is an- alyzed in three stages: 1) appeal to folk oral creativity in the first period of the poet’s work; 2) the place of the artistic synthesis of motives of folk oral creativity in the improvement of the poetic thinking of the creator; 3) poetic renewal of folk oral traditions in poems created at the end of life. As a result of the analysis, scientific conclusions were drawn that the creative approach to folklore traditions, their poetic renewal and improvement are the main factors that ensure the immortality of Abdulla Aripov’s poetry.
The image-experience is the basis of the lyrics. In turn, this experience cannot be a direct goal for artistic expression, it reflects certain moods that have arisen in certain situations and summarizes them. Based on the creative ability of the creator, it undergoes a number of qualitative changes, or it is born completely anew and comes to the world from the world of imagination, perfected to a sufficient level of fascination. In order to create a poetic image, researching the figurative meaning of the word in relation to its original meaning, the unknown and even extraordinary signs in relation to its known and ordinary signs, using the word with as many new facets and new glosses as possible, chameleon It is recommended to describe it in the form. Giving such a special meaning and appearance to the word creates imagery. After all, imagery is an important condition of lyrics, and as long as any experience is not formed into an image, the poem will not differ from a simple statement. The article talks about image and figurativeness on the example of Abdulla Oripov's poetry.
The concept of image, which is the basis of a work of art, has been considered the most important element of art since ancient times and until now. After all, an artistic image is the main tool that reflects the unique characteristics of a work of art. At the same time, it is also a component that expresses the aesthetic image of the world, a certain emotional state. Therefore, the concept of image is a very complex and at the same time comprehensive concept according to its characteristics and content. In one way or another, the reflection of objective reality in the human mind is the main root of the image in a broad sense. And the accompanying images grow from this first base. In this respect, according to the nature and clas sification of the image, it is distinguished in science, literature and art. This article aims to study the problem of classification and interpretation of ima ges in lyric poetry on the example of poet Abdulla Oripov
The article deals with the issue of poetic renewal of the traditions of Alisher Navoi in the poetry of the representative of modern Uzbek poetry Abdulla Oripov. The concept of creativity of two poets, their coverage of the development of the national language, tradition and innovation in the ghazal genre, following in rhythm, common features and differences in the artistic interpretation of the content of hadiths are analyzed. As a result of the analysis, scientific and theoretical conclusions were made.
This article discusses the reflection of Miraj night in poetry. In the description of the Miraj night, examples from the works of Alisher Navoi, Furqat and Abdulla Oripov are analyzed and the common and different aspects of the theme in the poems of these three authors are studied. The description of the Night of Miraj occupies a special place in the works dedicated to our Prophet Muhammad (blessings to him and his relatives), the fact that this night has risen to the level of a unique image in the literature of the Muslim East, as well as comments on the difference between the nights of Isra and Miraj. It is proved with the help of examples from artistic works that these images are expressed with high pathos in our classic poets and in A.Oripov in a calm and subdued state. The sequence of events on the night of Miraj is considered as an example of the poetic works of all three artists, and scientific conclusions are drawn based on them.
This article provides a new scientific analysis of the biography of Abdulla Avloni, an enlightened poet, playwright, journalist, scientist, statesman and public figure who lived and worked in the late 19th and early 20th centuries. It is well known that in the Soviet era, educated, enlightened people were persecuted as enemies of the people. Those who were shot, family members were politically persecuted as relatives of the enemy of the people. Most writers, scientists were forced to change their biographies, to hide their genealogy. In works of art, the aristocracy is portrayed in a negative light. The article analyzes the changes made to Abdulla Avloni's biography for political reasons on the basis of scientific sources and memoirs.
Currently, the development of inclusive education is one of the most important tasks in the world community. It should be noted that the development of social partnership is of great importance in the development of inclusive education. Because it is through the technologies of social partnership that it is possible to form constructive relationships between stakeholders in the development of inclusive education. The article prepared by the authors describes the definitions of inclusive education, the history of the development of inclusive education, its principles and the international legal framework. Specific aspects of the phenomenon of social partnership are also discussed. In this article, the authors analyze the importance of developing social partnership in inclusive education and develop proposals and recommendations in this regard.
This article analyzes the use of the artistic image related to the landscape, which is one of the topical issues in literary studies, in modern poetry, and its artistic and aesthetic functions. It analyzes the artistic images related to the landscape widely used in our classical literature, and it is explained that new meaning and meaning are given to these images in the works of modern poets.
This allowed the author of the article to gain a deeper understanding of the worldly and social nature of modern poetry. The article examines the role of images related to the landscape in Uzbek poetry of the beginning of the 20th century on the example of the poems of Cholpon, Abdulla Avloni, Hamza Hakimzada Niyazi. «sun», «moon», «star», «cloud», «leaf», «flower», «road», «morning», «wind», «purple», «winter», which are often found in the works of Jadid poets. the external and internal aspects of many images such as «koklam» were observed and certain generalizations were made. Keywords Image, modern poetry, tradition, originality, poem, verse, artistry, inner content.