Maqolada badiiy matnda so‘zning lug‘aviy va poetik ma’nosi anglatayotgan ko‘lami xususida fikr yuritiladi. Matnni idrok va tadqiq etishda har bir so‘z ma’nosi alohida ahamiyatga ega ekani ta’kidlanib, so‘z va ma’no munosabatlari tadqiq etiladi. Lug‘aviy ma’no matn mohiyati va muallif maqsadini to‘la ifoda etolmagan hollarda so‘zning poetik ma’no yetakchilik qilishi tahlil qilingan.
Today, Uzbek literature can be considered one of the most developed and unique in Central Asia. It is a unique phenomenon in the region, the uniqueness of which is explained by the fact that the country is geographically in the heart of Asia, and genetically belongs to the Islamic cultural traditions. Indeed, the translation of the masterpieces of our literature into foreign languages and their worthy place in the treasury of world literature is of special importance today. At the same time, it is difficult to say that at present the translation of works of art from Uzbek into foreign languages is carried out sufficiently. The rich Uzbek culture reflected in the works of art remains a mystery to foreign readers. However, the growing interest of our literature lovers in the rich culture of the Uzbek people, in our classical and modern literature, shows that there is a serious need for the translation of samples of our literature. The issues of scientific study of the problems related to the translation of literary texts and the verification of published translations remain relevant. In the texts of fiction or poetry, language is not only a means of conveying information, but also a means of its artistic reproduction, conveying the aesthetic value of the work. In addition, the literary text is also a source of information about foreign culture. The value of comparative translation studies is that they make a significant contribution to the development of specific translation theories within specific language pairs.
This article is devoted to the study of the theoretical aspects of the problems associated with word choice in literary translation, in which the main focus is on the views of foreign and Uzbek translators on this topic. Some of the comments and conclusions made in the article may be useful to the creators in the future translation process.
Narsa-predmet va hodisalarning belgisini bildirish sifatning semantik asosidir. Belgi bildirish xususiyati va tabiati jihatidan tub va nisbiy sifatlar bir-biridan qisman farqlanuvchi o‘zgachaliklarga egadir.
Sifatlar frazeologik iboralar tarkibida ham tez-tez qo‘llanilishini ham ta’kidlab o‘tish joiz. Har bir tilda frazeologik iboralar tuzilishi, lеksik-sеmаntik, funksiоnаl uslubiy vа sintаktik vаzifаlаri, shuningdеk, o‘zigа хоs shаkllаnish хususiyatilаrigа egа bo‘lgаn til birligidir.
Ushbu maqolada italyan tilidagi sifat komponentli frazeologik iboralar va ularning semantik xususiyatlari tahlil qilinadi. Sifat komponentli frazeologik iboralarga oid misollar orqali, frazeologik iboralarda eng ko‘p qo‘llaniladigan sifatlar tahlili ham berilgan.
Maqolada Erkin Vohidovning badiiy so‘zni idrok etish hamda uning ma’no qirralari va qatlamlarini o‘rganish borasidagi izlanishlari tahlilga tortilgan. So‘zlarning ma’no munosabatlari, tarjimalardagi tafovutlar, mumtoz so‘zning o‘ziga xos jihatlari o‘rganilgan.
Mazkur maqolada badiiy asar strukturasida sarlavhaning ahamiyati xususida mulohaza yuritiladi. Asar sarlavhasida muallif g‘oyaviy,estetik qarashlarining namoyon bo‘lishi yoritiladi. Ma’no nuqtalarining yaxlitlik kasb etishi mohiyatni aniq ravshan anglatish imkonini berib, asar estetik quvvatini oshiradi. Sarlavhada tabiatdagi unsurlar nomi vositasida ramziylik, ishoraviylik ortib boradi. Badiiy muloqotga kirishayotgan san’atkor kitobxonga ma’lum axborot, yangilikni yetkazibgina qolmay, uni ijodiy yondashuvga chorlashi darkor.
Tarkibdagi ilk semiotik markaz sarlavha bo‘lib, unda muallif g‘oyasi, konsepsiyasi jo bo‘ladi. Sarlavha ilk taassurot, muallif hamda kitobxonning ruhiy muloqoti debochasi. San’atkorlar borlig‘i, iste’dodi, ijodiy niyatini baholash shu lahzadan boshlanadi. “Yur, tog‘larga ketamiz”, “Qoyalar ham yig‘laydi”, “Saodat sohili” kabi qissalar maskan nomi bilan quvvatlanadi. Makon tasviri estetik zavq beribgina qolmay, shu maskan bilan bog‘liq asosiy voqea, kalitga ishora beradi.
Ilk jumla muloqotning ibtidosi, qahramon hamda kitobxonning g‘aybona uchrashuvi, kompozitsion sathning muhim belgisi. Keyingi holatu vaziyat, dialogu monolog debochasi. Mavzu, muammolar borasidagi ilk taassurot, bu keyingi bosqichga ko‘tarilish, faollikni jadallashtirish jarayoni. Qissada epigraf poetik mazmunni umumlashtirish, badiiy niyatni uqishda muhim sanaladi. Muallif yoritayotgan masalaga doir zarur ko‘chirma (she’r, hikmat, maqol, hadis kabi)ni kiritib, g‘oyaviy, hissiy salmoqdorlikni oshiradi. U asosiy ma’noni o‘zida jo aylagani, qahramon holatini asoslashi, fikrni tasdiqlashi bilan e’tiborni tortadi.
This article includes English proverbs in Uzbek equivalent in terms of meaning and content, as well as examples of the use of these proverbs in both languages.
В статье анализируются вопросы употребления и художественной интерпретации терминов «ма’ни» («смысл») и «ахли маони» («носители мысли») в произведениях Алишера Наваи. Научно доказано, что эти понятия составляют основу концепции творчества великого поэта.
Obraz-kechinma lirikaning negizini tashkil qiladi. O‘z navbatida bu kechinma badiiy ifoda uchun to‘g‘ridan to‘gri maqsad bo‘la olmaydi,u ma’lum vaziyatlarda yuzaga kelgan ma’lum kayfiyatlarni aks ettiradi va ularni umumlashtiradi. Ijodkorning yaratuvchanlik qobiliyati asosida qator sifat o‘zgarishlariga uchraydi, yoki butunlay yangidan tug‘ilib, kishini maftun etarli darajada mukammallashgan tasavvurlar olamidan dunyoga keladi. Poetik obraz yaratish uchun so‘zning asl ma’nosiga nisbatan ko‘chma ma’nosini, ma’lum va oddiy belgilariga nisbatan noma’lum va hatto favqulodda belgilarini tadqiq etish, so‘zni mumkin qadar yangi qirralari va yangi jilolari bilan, xamelion ko‘rinishda tasvirlash taqozo qilinadi. So‘zga bunday o‘zgacha ma’no, ko‘rinish berish obrazlilikni yuzaga keltiradi. Zero, obrazlilik lirikaning muhim sharti bo‘lib, har qanday kechinma obraz bo‘lib shakllanmas ekan, she’rning oddiy bayondan farqi qolmaydi. Maqolada Abdulla Oripov she’riyati misolida obraz va obrazlilik xususida so’z yuritiladi.
В данной статье представлена информация о речевом акте и его специфических особенностях. Смыслы благодарности раскрываются с помощью различных произведений. По этому поводу в их научных трудах выявлен ряд мнений лингвистов. Широко известно, что невербальные средства, используемые вместе с языковыми единицами (словами), выражающими благодарность, в узбекском, русском и китайском языках существенно различаются. Считается, что благодарность выражает несколько прагматических значений в процессе речевого общения: завершение разговора, искреннее отношение, благодарность, согласие и т. д.
The article discusses the role and importance of phraseology in the development and enrichment of speech in primary school students. The influence and special role of phraseology in increasing the clarity and effectiveness of speech was also analyzed because the speech of primary school students was norrow.